Quo vadis ars?

The situation in the cultural sector has been described and discussed in numerous interviews, corona diaries, comments and reports in the past few weeks. Our annotated collection of currently 193 sources gathers voices from different sectors and media. This creates a picture of the cultural landscape in crisis, whose temporal transformation can be explored interactively via a dedicated tag cloud.


 

»Das ist kein Neustart, das ist der Tod auf Raten« . Konzertveranstalter und Corona
»This is not a fresh start, this is living on borrowed time« . concert organizers and Corona

by Benjamin Fischer (17 Aug 2020)
Original source: Frankfurter Allgemeine Zeitung

Stephan Thanscheidt is co-head of FKP Scorpio. The company, with around 350 employees in 11 countries, is not only one of the largest festival organizers in Europe, but last year the company hosted around 3000 concerts by more or less well-known musicians - including superstars such as Ed Sheeran and David Guetta. Thanscheidt is primarily responsible for the organization of the festivals. In the summer, he usually spends more time at festivals than at his desk. This is important in order to keep a feel for the wishes and expectations of the visitors.
In March and April, FKP Scorpio continued to plan the summer events. Although there was already a bad feeling during the lockdown, but without a long-term cancellation by the authorities, the company had no choice but to postpone the festivals for the time being in order not to lose insurance coverage. This was an enormous effort, as events and the corresponding tickets had to be rebooked time and again. The advertising was reissued, only to announce the next postponement.
The industry, which even during the economic crisis of 2009 had hardly any loss of revenue, now faces completely new challenges. Short-time work and home offices have been completely unknown until now. Although there are regular digital meetings, it is difficult to realize joint creative work. Especially for the ten trainees, the situation is more than unsatisfactory, as they are currently only getting to know parts of the planned areas of responsibility.
In the summer, the industry has prepared itself for a standstill until Christmas. If no events are possible next year either, many companies are on the verge of closure. Although the public and politicians have the impression at the moment that the drive-in cinema concerts or other events will bring money back into the coffers, according to Thanscheidt, this is not a matter of income to be taken seriously, but rather of "living on borrowed time". FKP Scorpio has been running a solid business in recent years and can still fall back on reserves. If, however, no festivals with normal capacity can be held next year, FKP Scorpio will also be in trouble.

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tag Konzertveranstalter Festivals Versicherung Planungssicherheit Exit-Strategie Auszubildende
Music Beitrag

Durchs Raster gefallen . Kulturschaffende in Coronakrise
Fallen through the cracks . the arts community during Corona crisis

by Sabine Seifert (29 Jul 2020)
Original source: taz

Three months after an initial conversation about her personal situation as an artist during the lockdown, Sabine Seifert meets again with a singer, a visual artist, an actor and a museum educator to talk with them about their experiences during the Corona crisis. The working conditions for the artists are still all but optimal, as the hygiene rules for all cultural fields of work entail restrictions. Many people appreciate the social network that is provided in Germany. Emergency aid and basic security have helped them to survive the last few months financ ially. However, applications for basic security have only increased by about a quarter. Due to the bad aura of basic security called Hartz IV, many people were reluctant to apply.
Even the applications for solo self-employed persons do not take into account the living and working conditions of artists even after three months. Seifert critically observes that in many federal states the cost of living may not be regarded as operating costs, but also the fact that in the second round applications may only be made by tax or accountants is completely ignoring the reality of small and medium-sized enterprises. Although the profession of an artist is fundamentally associated with uncertainty, the general conditions have currently changed radically. No one can predict with certainty how the pandemic will develop. When again which event format will be possible.
Olaf Zimmermann, Managing Director of the German Cultural Council, points out that the working structures on the cultural market have changed in recent years. Although there are fewer artists, there are more solo self-employed people in the field of cultural education, management and technology. Cultural policy has failed to counteract the precarious structures that have emerged here. Basically, according to Olaf Zimmermann, one should think about whether the classic concept of the entrepreneur still applies to artists and cultural workers - especially since they make an important contribution to society.

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tag Soforthilfe Grundsicherung Solidarität Verdi bbk Elisabeth Anschütz Sascha Oliver Bauer Ka Bomhardt Wilko Reinhold Olaf Zimmermann
All sections Bericht

Der verzögerte Kulturinfarkt . Resilienz des Kulturbetriebs
The delayed culture infarction . Resilience of the cultural sector

by Dieter Haselbach, Pius Knüsel (27 Jul 2020)
Original source: Kulturmanagement

The cultural industry has long been a two-tier society. While the state-financed cultural institutions will come through the crisis with the help of much public funding, the many private institutions and artists will fall victim to the crisis. The public institutions are not innocent of this, as they have used the solo self-employed as an inexhaustible reserve army.
In view of the fact that even before the crisis there was a discussion about the dwindling public in cultural institutions and the loss of significance of museums, the authors are irritated by a contri bution by Tobias J. Knobloch, President of the Kulturpolitische Gesellschaft, who urged that public funding be expanded in order to avert the consequences of the crisis for the cultural industry. In this context he also speaks of resilience.
Here it should not be forgotten that the crisis is the great time for cultural associations. They are now trying to get a share of the public funding.Differently it looks with the solo independent ones, which fall by the promotion rasters of the federation and federal state governments for enterprises and come thus over the rounds only with an application for unemployment relief ALG II .
Here the authors come to the crucial point of their article: Many artists do not have a business model that would be sustainable and provides for reserves and a sensible old-age provision. Postponing crisis and old-age provision until later is not a model with a future. Even if the state is currently generous, sustainable business practices must be introduced in the cultural sector.
In their outlook, the authors assume that the large state-financed houses will survive the crisis, and that many solo self-employed and privately financed houses will give up. Cultural tourism will also start again in 2021. The only chance the stakeholders have is to create new room for maneuver. A cultural infarction can currently only be avoided if the funding instruments and organizational principles are reconsidered and digitization is promoted.

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tag Museen Kulturförderung Soforthilfe Solo-Selbständige Hartz IV Olaf Zimmermann Tobias J. Knobloch
All sections Bericht

»Was in Berlin passiert, ist ziemlich einmalig« . Corona-Hilfe für Klubkultur
»What's happening in Berlin is quite unique« . Corona aid for club culture

by Laura Aha (20 Jul 2020)
Original source: Spiegel

Clubs were the first cultural institutions to close, and they will most likely be the last to be allowed to reopen. In Berlin alone, 140 clubs and as many club event agencies employ around 9000 people. In Berlin, Senator for Culture Klaus Lederer has launched a 30 million euro aid package for clubs. Cologne and Hamburg have also granted support to the scene at a very early stage. The situation is different in cities that have not yet promoted pop culture. Here, clubs are falling through the ranks of the various support models and are fighting for recognition as cultural institutions. Currently, the open-air season is making it possible to compensate somewhat for the slump in sales. But the scene needs a long-term strategy to avoid falling victim to the crisis.

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tag Clubszene Berlin Soforthilfe Konjunkturpaket Klaus Lederer
Music Bericht

Lieber Maler, male mir! . Diskussion über Kunst in Coronakrise
Dear painter, paint for me! . Discussion on art during Corona crisis

by Ingo Arend (08 Jul 2020)
Original source: TAZ

Under the title »Painting by Numbers - Art in the Corona Crisis«, the Green Party in the German Bundestag invited to a discussion about a group that currently plays hardly any role in the public discourse about the Cornona Crisis: the visual artists. At the moment, there is great concern that the money from the economic stimulus package will flow into the support of museums and cultural institutions, but that the artists themselves will go away empty-handed.
The author Ingo Arndt is somewhat irritated by the fact that in the discussion about possible s olutions to the precarious situation of  artists, the idea of a New Deal, which Hans Ulrich Obrist brought up in April, has not been taken up. A large-scale acquisition project for museums and public institutions launched by the German government could offer a way out of the crisis by commissioning visual artists.

 

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tag Grundeinkommen Neustart Kultur Konjunkturpaket Die Grünen Lobby New Deal Erhard GrundlHans Ulrich Obrist
Visual Arts/Design Bericht

Kommunen, Verbände, Künstler - der »Kulturpolitische Salon« im DLF Kultur diskutiert verschiedene Sichtweisen auf das Kulturpaket. Fazit: Die langfristigen Folgen der Krise sind noch nicht absehbar. . Kann das Milliardenpaket des Bundes die Kultur retten?
Leaving the Corona crisis behind with a . Can the federal government's billion-euro package save culture?

by Skadi Jennicke, Ulrich Khuon, Dagmar Schmidt, Wolfgang Schmidt, Olaf Zimmermann, Hans Dieter Heimendahl (12 Jun 2020)
Original source: Deutschlandfunk Kultur

As part of the economic stimulus package, the German Federal Government has provided one billion euros for the protection of the infrastructure in the cultural and creative industries with its "Restart Culture" programme. In the new format of Deutschlandfunk, the "Cultural Policy Salon", representatives from various sectors are discussing about the significance of the government's cultural package in the current situation and how the exit strategy from the crisis could look like for the sector. The participants agree that the economic stimulus pac kage is an important signal for the sector, but it is still seen as a form of emergency aid. The crisis is far from over, many cultural institutions are still in test mode. As the municipalities and institutions are still reacting to the crisis, they hope for some deceleration, so that there is again time for a reflective approach to the demands of the new everyday life.

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tag Konjunkturpaket Neustart Kultur Kulturförderung Bundesregierung Verbände Kommunen
All sections Diskussion

Die vergessenen Selbstständigen
The forgotten self-employed

by Jagoda Marinic (12 Jun 2020)
Original source: Mannheimer Morgen

On the occasion of the economic stimulus package to be adopted by the cabinet, Jagoda Marinic is considering the role of the solo self-employed and freelancers, who are not considered in this package. This professional group in particular has been courted by politicians in recent years, but now it has no lobby to defend it and is being forgotten. It consists of artists, teachers, journalists and creative entrepreneurs who pursue their goals with passion and willingness to take risks and establish new working models. Out of solidarity with the community they have put thei r work on hold, now society must not forget them. 

Translated with www.DeepL.com/Translator (free version)

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tag Solo-Selbständige Konjunkturpaket Solidarität Arbeitsmodelle
All sections Tagebuch

»Erwerbstätige dritter Klasse« . Soloselbstständige fühlen sich von Koalition im Stich gelassen
»Third-class employees« . The freelancers feel abandoned by the coalition

by Anja Müller, Frank Specht (07 Jun 2020)
Original source: Handelsblatt

Many solo self-employed people in the cultural and creative industries had high hopes for the new economic stimulus package of the German government. These remained largely unfulfilled. As before, the cost of living and thus an entrepreneur's salary cannot be claimed. For many self-employed persons, the only option left is to apply for the basic social care 'Hartz IV'. Last Friday, the Federal Council passed a resolution to support self-employed artists and media workers. It demands that at least they be granted a flat monthly subsidy to compensate for the lo ss of income.

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tag Konjunkturpaket Hartz IV Bundesrat Solo-Selbständige
All sections Bericht

War’s das mit dem Wumms? . Aktionsplan und Stellungnahme des Netzwerk Autorenrechte (NAR) zum Konjunkturpaket „NEUSTART KULTUR“
That's it with the oomph? . Action plan and statement of the Network of Authors' Rights (NAR) on the economic stimulus package "NEW START CULTURE"

by Netzwerk Autorenrechte (05 Jun 2020)
Original source: Netzwerk Autorenrechte

The economic stimulus package passed by the federal government provides hardly any subsidies for the book sector. The Network of Authors' Rights (NAR) is calling for improvements in this respect so that authors and translators are not pushed into social welfare (Hartz IV). Various funding possibilities are outlined and the importance of literature not only as a source of knowledge and education, but also as an economic factor is pointed out.

tag Buchbranche Konjunkturpaket Hartz IV
Literature/ Text Statement

Das Eine-Milliarde-Euro-Baby
The One-Billion-Euro-Baby

by Dirk Peitz (05 Jun 2020)
Original source: Zeit

Dirk Peitz explores the question of how the crisis of culture in Germany can be described exactly and who is currently bearing the costs that arise in the cultural sector. The »latent lack of systemic relevance« could become a problem for the industry if the economic crisis becomes more severe or lasts longer than currently expected. While the approximately 1.7 million employees are currently an argument in favour of artists, cultural funding could be discontinued very quickly in times of tight budgets.

tag Monika Grütters Konjunkturpaket Kulturförderung Systemrelevanz
All sections Analyse

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Facing arts is a non-profi project. Feel free to support it and get in touch with us!

The Team

Facing arts is a projet by STORM.

STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth, who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer. He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de and www.imachination.net.

Special thanks to Paco Croket for the tag cloud programming!

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