Quo vadis ars?

The situation in the cultural sector has been described and discussed in numerous interviews, corona diaries, comments and reports in the past few weeks. Our annotated collection of currently 193 sources gathers voices from different sectors and media. This creates a picture of the cultural landscape in crisis, whose temporal transformation can be explored interactively via a dedicated tag cloud.


 

»Das ist eine neue Kunstgattung«
»That's a new genre«

by Christian Riethmüller (22 May 2020)
Original source: Frankfurter Allgemeine Zeitung

On Friday, May 22nd, a new format of live entertainment did celebrate its premiere in Frankfurt: With the Stage-Drive-Kulturbühne, the cultural stage at the Jahrhunderthalle has developed a format based on the drive-in cinema, which again makes a cultural program with comedy and cabaret, music, literature and film possible. The stage is supported by two LED screens, each 50 square meters in size, which make the events visible to the visitors. They sit in the parking lot, distributed over 300 vehicles, sorted according to size. The sound is transmitted to the car rad ios via a dedicated FM frequency. Tickets are sold per car. Outside of the vehicles the usual hygiene rules apply. Whether the format works, for example if a cabaret artist cannot hear the laughter of his audience, can be seen here from Friday on. Moritz Jaeschke, Managing Director of the Jahrhunderthalle, developed the new stage format in close cooperation with the Frankfurt/Rhine-Main Business Initiative, which also provides financial support for the project. The business initiative is convinced that culture should not be neglected as an important location factor in the region. The stage could also be used for other purposes such as company presentations. First of all, however, a multifaceted cultural program is planned, which can be accessed via the Jahrhunderthalle's homepage.

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tag Stage-Drive-Kulturbühne Frankfurt Wirtschaftsfaktor
Performing Arts/ Cinema Bericht

Zurück aus dem Netz: Theater unter Corona-Auflagen
Back from the Web: Theatre under Corona Constraints

by Susanne Burkhardt, Elena Philipp (22 May 2020)
Original source: Deutschlandfunk Kultur

In the »Theatre podcast« by Deutschlandfunk, Susanne Burkhardt and Elena Philipp, theater critic Cornelia Fiedler and actor Matthias Wuttke investigate the limitations of the crisis and the opportunities that the reopening of houses can bring. Few houses have found ways to show current productions under the conditions of the lockdown. It turns out that theaters in Germany have developed many formats in recent decades that now enable corona-compatible forms of theater.

tag Theater Theaterformen Onlineangebote Hygieneregeln Cornelia Fiedler Matthias Wuttke
Performing Arts/ Cinema Podcast

Hygieneregeln . Dem Publikum stehen keine leichten Zeiten bevor
Hygiene Guidelines . The audience is not facing easy times.

by Jörg Häntzschel (19 May 2020)
Original source: Süddeutsche Zeitung

In the Süddeutsche Zeitung, Jörg Häntzschel takes a critical look at the hygiene rules that the Ministers of Culture of the federal states have drawn up together with Monika Grütters, federal Minister of State for Culture, for theaters, opera houses and concert halls. The many interventions and specifications for the operation of the theaters make it clear that even the reopening will be associated with heavy financial losses if the distance rule of 1.50 meters distance has to be implemented. In addition, not only the air conditioning technology must be adapted, but also the health of the visitors and the distance of the employees - i.e. the artistic actors on stage and during rehearsals - must be kept in mind. Only a small ray of hope remains here that the regulations are to apply to the whole of Germany and that not every federal state will introduce its own rules. But what concerns Häntzschel more than the concrete hygiene rules is the way in which artists are currently treated in political discourse. On the one hand, art is transfigured to a kind of »secular universal religion«, which is supposed to be a »therapy against loneliness, a weapon against populism and the humus of democracy«. The author sees a form of »cultural war economy« in the very detailed recommendations as to how the houses should fill the time until the resumption of play. After all, the paper shows little confidence in the creativity of the industry, which is not only given the marching orders by the ministers, but also the way to go.

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tag Theater Kino Oper Hygieneregeln Universalreligion Monika Grütters kulturelle Kriegswirtschaft
Performing Arts/ Cinema Bericht

Corona-Chronik (8) . Krise als Chance, Theater zu Parkhäusern, Abgase zu Frischluft
Corona Chronicle (8) . Crisis as Chance, Turning Theatres to Parking Garages, Exhaust Gases to Fresh Air

by Nicolas Stemann (11 May 2020)
Original source: Neue Züricher Zeitung

tag Theater Autokino Krise als Chance Hygieneregeln
Performing Arts/ Cinema Corona-Chronik

So könnte Theater . Kultur in München
This is how theater could become »Corona-compatible« . Culture in Munich

by Egbert Tholl, Reinhard J. Brembeck (08 May 2020)
Original source: Süddeutsche Zeitung

In Munich, Christian Stückl, the director of the municipal Volkstheater, and Anton Biebl, head of the cultural department of the city of Munich, presented a concept for a theater in corona times. They want to protect visitors and employees with corona-compatible pieces, little equipment, conversions in the auditorium and performances without breaks. The new season should start again at the end of July at the Volkstheater. In this way, loss of revenue from past spring could be compensated. After all, theaters, opera houses and orchestras will not survive another dry spell until autumn.

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tag Theater Zuschauer*innen Vorstellungen Hygieneregeln Christian Stückl Anton Biebl München
Performing Arts/ Cinema Bericht

Die Aussichten: grau bis düster . Künstler und die Corona-Krise
The prospects: grey to gloomy . Artists and the Corona crisis

by Eva-Maria Magel (22 Apr 2020)
Original source: Frankurter Allgemeine Zeitung

The Hessian Minister of Economics Tarek Al-Wazir has written to the German Federal Minister for Economic Affairs Peter Altmeier. He is not only concerned that many artists are currently falling through the ranks of emergency aid, but also that there are no uniform regulations for the industry in the individual federal states. This is all the more dramatic because it is precisely the cultural and creative industries that will be affected the longest by the effects of the crisis. A solution to the problem hasn't appeared at the horizon so far. Municipal aid funds and p rivate fundraising campaigns are a current attempt to prevent the worst from happening.

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tag Hessen Soforthilfe Hartz IV Großveranstaltungen Tarek Al-Wazir Peter Altmaier
All sections Bericht

Kunst gehört zur Grundversorgung
Art belongs to the basic amenities

by Marcus Woeller (19 Apr 2020)
Original source: Welt

The cultural and creative industries have been hit hard by the lockdown. With the discussion of the first easing of the lockdown, galleries and exhibition houses will probably be able to open again. This is important not only for the exhibition houses that lack the entrance fees for the programme work, but also for the art market. Collectors would like to see works in the original and not in the digital showroom. Galleries open to visitors is the precondition for the art market to recover. Until then, we hope that the smaller galleries will be able to persevere, as they make an important contribution to the basic supply of art. 

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tag Museen Galerien Kunstmarkt Einnahmeausfälle freie Mitarbeiter
Visual Arts/Design Bericht

Vor dem Ersticken
Before suffocation

by Andreas Kilb (18 Apr 2020)
Original source: Frankfurter Allgemeine Zeitung

The initial easing of the situation towards a normal everyday life allows the citizens in Germany to breathe a sigh of relief. But that does not apply to the cultural sector. In the »name of epidemiological reason« culture is being squeezed all the breath out. With this image, Andreas Kilb illustrates very impressively the situation in the creative industry since the start of the lockdown and fears that many will not survive the stranglehold for much longer.

tag Hartz IV Lebensmittel Monika Grütters Markus Söder
Performing Arts/ Cinema Debatte

»Eine Konventionalstrafe ist in jedem guten Vertrag enthalten« . Geldsorgen der Kunst
»A contractual penalty is included in every good contract« . Money worries of art

by Eva-Maria Magl (13 Mar 2020)
Original source: Frankfurter Allgemeine Zeitung

tag Theater Kino Schließungen Kulturszene Frankfurt
Performing Arts/ Cinema Bericht

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Facing arts is a non-profi project. Feel free to support it and get in touch with us!

The Team

Facing arts is a projet by STORM.

STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth, who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer. He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de and www.imachination.net.

Special thanks to Paco Croket for the tag cloud programming!

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