So far there is not a single proven infection in a theater [...]. In this respect, this is not at all a place that is suitable to meet the rising incidence value. Marc Grandmontagne(15 Oct 20)
Currently we are all experiencing a shortage of the big movies. But perhaps this is an opportunity for the European film industry, but also for Europe as a whole: to establish a new form of communication about films. Carlo Chatrian(17 Sep 20)
The frustration and with freelancers also the fear are nevertheless understandable. But culture needs better ideas about itself. Better arguments for what it is there for. And for what it is not. Culture, for example, is not there for everyone. Tobi Müller(29 Oct 20)
In my view, there is no cultural shortage in children's rooms. A free reading by authors brings no added value to entertainment. Salah Naoura(25 Mar 20)
As far as gross value concerned, we have added value that is only surpassed by the automotive industry. We have more than the chemical industry, we have more than the financial service providers. In 2018, we generated in our sector more than 100 billion euros in gross value added. Noam Zur(29 May 20)
We were closed with restaurants and bars, but they’ve been open for a while, and it’s actually safer to be in a theater because you keep your mask on. Catherine Russell(26 Oct 20)
Now it's about not complaining, but still offering theater in all its facets - if you let us. At the moment we are allowed to do so, and now we have to show that it is right. Uwe Lohr(13 Sep 20)
Despite the arts sector being the first and worst hit sector, and likely the last to recover, the budget fails to provide a roadmap for the sector based on bold, strategic vision and long-term recovery. Leya Reid(08 Oct 20)
When I hear this relentlessly rigorous Karl Lauterbach, I would like to recommend Juli Zeh's novel »Corpus Delicti« and a little grain of the author's sense of freedom. Arno Orzessek(25 May 20)
Now that the Book Fair has been subjected to this ordeal, it is clear what this unique, crazy, sensory event has always been: always too crowded, always too loud, always too expensive, always a risk. But at the same time, it is also a fascinating place to negotiate spirit and goods [...]. Sandra Kegel(04 Jul 20)
The answer to the virus can only be that charity goes viral. And if that sounds too pious to someone, he simply calls it solidarity, which is contagious. Pastor Sieghard Wilm(01 Nov 20)
It is not new that our analog concept of the creative person around the book has become more challenging. But Corona is dramatically accelerating the development here. This poses a considerable problem for us. Ulrich Wellhöfer(02 Apr 20)
They only know entrepreneurs with employees and obviously do not know at all how we work and what we need after we have been banned from the profession. Nadine M.(07 Jun 20)
Never has the book, never has literature been so valuable, so important, as a place of escape, as a retreat, as a source of new, different thoughts - and for a long time the symptoms of economic crisis have not been as threatening as in 2020. Gerrit Bartels(08 Oct 20)
Nobody is completely submerged, swimming against the current is exhausting, but sometimes clever thoughts go through your head. Sabine Seifert(29 Jul 20)
On top of all that, the Arts Council’s funding requirements now place “relevance” over “excellence” as the highest goal of British theater. Helen Lewis(12 May 20)
There won't be any viewers crowding into a sold-out house close to each other and glowing with joy, and that's not because of the quality of the program. Nicolas Stemann(11 May 20)
It is the core challenge of publishers and at the same time the magic of our work to bring the market and the art together. It is a deeply social process. Tom Kraushaar(27 Mar 20)
We need to enter into resistance. We are going to invade churches, shopping malls, auction houses... and we will put on shows! Samuel Churin(15 Dec 20)
Our work stands for diversity and freedom of opinion, for knowledge and pluralism, for emotional, intellectual and cultural exchange, innovation in thinking and the intellectual creation of new - and sometimes better - worlds. Netzwerk Autorenrechte(05 Jun 20)
Grönemeyer considers cultural workers to be civil servants of a public enterprise on behalf of the nation's services for the public. Rainer Hank(15 Nov 20)
Galleries such as Pace, Gagosian (which furloughed its part-time staffers in April), and David Zwirner (which laid off nearly 40 employees this month) all took in between $2 million and $5 million. (07 Jul 20)
That's the perversion of the whole story. We are not a swimming center. It's not like we can close in one day and on December 1st we open again and the audience is back. Louwrens Langevoort(29 Oct 20)
Of course I would like us to [...] sing again soon. But I also know that when we sing, when we speak, aerosol clouds are created. And I think it's important that this is now being scientifically investigated. Kerstin Rosenfeldt(03 Jul 20)
Already in the almost six weeks of the current closure time between March 11 and April 19, the Residenz Theatre will lose revenues of an estimated 650,000 euros. Tobi Müller(08 Apr 20)
Art dealers must hope that [...] they will not already be suffering the cathartic side effects of the pandemic. This would not only be an economic damage, but also a cultural damage. Museums do not have the monopoly on the basic supply of art. Marcus Woeller(19 Apr 20)
Nevertheless, culture is indispensable, and therein lies its paradox: it is always both a total luxury product and an elementary medium in which a community agrees on what it considers important or unimportant Dirk Peitz(05 Jun 20)
Theaters, opera houses and concert halls have been proven not to be places of infection. Their excessive restriction therefore does not contribute to the containment of the occurrence of infection, and is therefore disproportionate. Deutscher Bühnenverein(27 Oct 20)
Well. Does culture suddenly no longer have to explain that it is not a luxury that you only have to worry about once survival is assured? Kolja Reichert(25 Apr 20)
As soon as it becomes the rule to override fundamental constitutional rights at will with every new challenge, democracy is damaged. Dieter Hallervorden(09 Nov 20)
And then I worry about all my colleagues and friends who work as freelancers. Nobody knows what should happen to them when concerts simply no longer take place. Geoffry Wharton(12 Mar 20)
The decision affects the wrong people, it touche them to the quick, it is destructive, because culture is not relevant to the system, this term from the financial crisis is only annoying. Culture is relevant to existence, it is relevant to life. Maria Ossowski(29 Oct 20)
It is true that the event industry as a whole needs urgent help, survival aid. The distress is enormous. Tom Koperek(22 Jun 20)
What would have to happen? You now have the opportunity to rattle a few cages. Jörg Biesler(02 Aug 20)
Recently, Jens Spahn also warned against events. He meant private celebrations, but he said: events. After that our advance ticket sales collapsed because people thought it was too dangerous to go to the theatre. Wiebke Eymess(23 Sep 20)
The digital life, an aid in times of distress, will not be able to replace our need for a home. Not satisfying our thirst for shelter. Carmen-Francesca Banciu(20 Nov 20)
There is no protection for workers in the United States, which is why there are mass layoffs in the art world, in galleries and museums. Vincenzo de Bellis(03 Jun 20)
We are also there to hold up the mirror to society and to initiate discussions. But if everyone has to eke out a living with side jobs, there can be no more social criticism in the future. Petra Tobies(08 Aug 20)
In 2019 there were almost 800 film releases, this year we might not even get 200, and even worse, we're not getting the films we need to attract an audience. Michael Pawlowski(05 Sep 20)
The precarious conditions under which so many freelancers work in the cultural sector must be reconsidered in future funding policy. Ulrike Groos(07 Jul 20)
Is it inconceivable to put artists in a position to bridge the next eight, nine, maybe even twelve months without slipping into total depression because of unintentional and undeserved misery? Anne-Sophie Mutter [u.a.](19 Apr 20)
If it were purchases, it would be good, if it were other aids, it is at least welcome. I see it positively and also find it great that Mrs. Grütters is directing money towards galleries. But as I said, purchases would be sustainable. Rupert Pfab(27 Sep 20)
I had actually written another book. When the virus came, he snuck in there relatively quickly. Then I thought, what does he want here. He wanted to get in there. Lola Randl(28 Aug 20)
[...] first the business life and then we can take care of sports and culture. I find that such a purely populist statement, which is after all said by a prime minister who is one of the leading figures in the management of the Corona crisis. That does pull the plug. Ulrich Khuon(07 Sep 20)
It is true that the many millions [...] are also intended to »award new contracts to freelancers and solo self-employed persons«, as the »Neustart« programme states. It remains to be seen whether this measure will really account for the lion's share in the end or whether it will be invested in Plexiglas panes for everyone. Ingo Arend(08 Jul 20)
We think all the time, what can we actually do to positively influence the situation and that is frighteningly little. Farin Urlaub, Die Ärzte(23 Oct 20)
In houses like Baden-Baden and the Berlin Philharmonic, the air conditioning is just as good, and the economic hardship is just as great. If airplanes are allowed to be packed, then so are the concert halls. This requires equal treatment. Reinhard J. Brembeck(22 May 20)
The play that our stages have to play right now is called: »Struggle for survival« – not only of artists, but of an enlightened and open society [...]. Axel Brüggemann(27 Oct 20)
The film industry in Austria stands for an economic output of approximately 1.4 billion. We are now running for our economic life and for this survival a state default liability related to Corona is essential. Oliver Auspitz(16 May 20)
The aids that have been applied are all very unfortunate because they mostly do not apply at all to the professional model of freelance actors, freelance artists. Jochen Schölch(29 Dec 20)
We all hoped so much that business would restart in autumn, but now no one can come from China or America. And the Spanish or French collectors will also drop out. Esther Schipper(11 Sep 20)
The plans for the next season had to be completely revised and reorganized in the last weeks. But we have succeeded [...] in developing new visions for this coming, extraordinary season. Oliver Reese(19 Jul 20)
The balance sheet is of course devastating. After almost six months of lockdown, three months of really bad business, we have a 70 percent drop in sales. Christine Berg(20 Dec 20)
Now everyone is surprised that the great cheers about the reopened museums are missing. Many visitors are still sceptical. Many museums had hoped for completely different numbers than they can now present. Wolfgang Ullrich(14 Jul 20)
There is much debate about why this disease now? What logic is behind it, what morality? Towards the end of your book and after reading Albert Camus' »The Plague«, Matteo comes to the conclusion that there is no morality that can be drawn from such epidemics. Christoph Leibold(19 Jul 20)
While some are looking for the vaccine and others are discussing whether it is actually a good thing, we at least provide in theatre a vaccine against mental incrustation and aberration. Nicolas Stemann(25 May 20)
The criteria for evaluating art in the digital world are missing. Just because something is done digitally doesn't mean it is the hot shit. Anika Meier(02 Jun 20)
The 2020 budget is more uncertain than any budget I have ever experienced. Claudia Rütsche(10 Aug 20)
»The show must go on, no matter how difficult it is.« It's an overused expression, but I think it's the essence of theater. Hideki Noda(05 Mar 20)
On the other hand, the Book Fair is a place of lived freedom of opinion and publication. This is also an important pillar of the Frankfurt Book Fair and this pillar will be there. Alexander Skipis(08 Sep 20)
This year is a complete write-off, and if it continues like this, then at least for me I can no longer work as a freelance writer, if no money comes in through book sales and readings, then I have no income. Michael Stavarič(25 Sep 20)
Singing in closed rooms is prohibited, period. Maria Ossowski(29 Jun 20)
If we want to survive this crisis reasonably in the cultural sector, then there must be additional subsidies for a specific culture fund. Olaf Zimmermann(25 May 20)
I have seldom seen the audience so grateful, everyone was incredibly happy that there are cultural offers again, and it became clear: literature is a nutrient. Heike Strecker(19 Jun 20)
With little funding, a lot could be done in the freelance sector - but there is a catch: This would officially recognize that there is a two-tier system in classical music. Frederik Hanssen(16 Nov 20)
What is needed are the open spaces of art that make exchange and reflection possible - including on how Corona is changing our society. Barbara Mundel(22 Oct 20)
You may call it kitschy or embarrassingly pathetic: But the soul of many people needs some solace in the pre-Christmas season. Solace with music, with concerts, with theaters, with musicals, with art. Culture helps to survive the most emotionally challenging time of the year. Maria Ossowski(26 Nov 20)
To shape better policies, national and subnational governments need more and better evidence on the economic and social impact of cultural and creative sectors. OECD(07 Sep 20)
It is incomprehensible to us why it is possible to keep DIY stores, car showrooms and other stores open, but museums, which have the same or more generous areas for corona-friendly public traffic, are closed. Deutsche Museumsdirektoren(01 Nov 20)
There is a concern that there will be less opportunity to give presents because of fewer celebrations. However, confidence is based on the fact that customers more often choose cheap gift books than expensive skis in times of crisis. Michael Wurmitzer(09 Nov 20)
We are an important part of the economic cycle: we pay an unbelievable amount during the year to art shippers, art fairs, construction teams, to the Artists' Social Welfare Fund.... Rupert Pfab, Galerist(28 Apr 20)
At the moment there are mainly panic reactions. I don't see any issues negotiated yet. Cornelia Fiedler(22 May 20)
It is painful to have to witness this unequal treatment and, despite requests and pleas, not to be heard by the appropriate corridors of power. Anne-Sophie Mutter(20 Oct 20)
The past few years have already seen pushback against the art world’s gross socio-economic inequities [...]. Even before Covid, it was high time for a reset. Jane Kallir(22 Jun 20)
I surmise that this time, if it ever comes to an end, if we can overcome this pandemic, we will all emerge traumatized. I don't think it's something you can simply terminate. Lars Eidinger(18 Nov 20)
We don't let autumn take us away. Books are more important than ever. Joe Lendle(12 May 20)
I think that even if the shields were to be released in the fall and the audience would willingly think them away, that would not be possible. I see what I see. With masks it would be funny, you hardly see the actor, you don't really hear him. Jan Bosse(26 May 20)
I know famous accompanying musicians, who usually stand with the biggest German stars on the biggest stages of our country, who are now sitting at the supermarket checkout. Heinz Rudolf Kunze(17 Sep 20)
Rather, the bitter impression that the significance of culture is so low, despite your lip service in recent months, that the first solution to the rising number of infections seems to be: »Is this art? Then let's get rid of it!« GMD- und Chefdirigent*innenkonferenz(02 Nov 20)
The crisis reveals that many self-employed people do not have a business model that can cope with any change from a normal situation. [...] The attitude that crisis and old-age provision for the creative people is a problem for later has no future. Dieter Haselbach, Pius Knüsel(27 Jul 20)
If so many who work in the private and publicly funded art business can currently survive only with aid packages, something is wrong with the entire system. Something has to change radically here. Iris Dressler(23 May 20)
When we show up, nobody is seeing us. When we don't show up,we won't be missed. Maren Kroymann(14 May 20)
Creative industries will lose an estimated 2.7 million jobs and more than $150 billion in sales of goods and services, amounting to nearly a third of creative-industry jobs and almost 10% of annual sales. Richard Florida & Michael Seman(11 Aug 20)
"United We Stream" won't help us to rescue the clubs. Just for Berlin, 10 million per month are needed for personnel, rent, leasing contracts, etc. to save the venues. Lutz Leichsenring(28 May 20)
I would just like to see that the contribution that we make to the containment of Covid-19 is not rendered moot by keeping, say, the ski resorts open. Nicolas Stemann(22 Dec 20)
You can fly in a full plane, travel in a bus, but people don't trust us to follow the rules and instead people celebrate in the park. Erik Kühn(02 Oct 20)
However, when the going gets tough, people pretend that self-employment was above all self-realisation and nobody could expect society to take responsibility for it now. Jagoda Marinic(12 Jun 20)
Will the ticket inspectors measure the temperature of visitors in the future? Jörg Häntzschel(19 May 20)
If we assume that more and more rich people want to buy social status, charisma, and appreciation with art, there are no sales worries for the art markets, rather supply problems. Christian Herchenröder(17 Dec 20)
In doing so, it is time to give the small, local events as the ecological garden prior to intensive agriculture, [...] the individual artist prior to the culture industry employee the focus and empathy they have long lost. Karl-Werner Joerg(26 Dec 20)
Artists, especially those who are not permanently employed, have to improvise permanently, have to do things they are not qualified for, they all almost become entrepreneurs as independent artists. Julian Nida-Rümelin(18 Oct 20)
The tone in the social networks is becoming increasingly bitter. After all, private aid initiatives have formed. Eva-Maria Magel(22 Apr 20)
What really worries me is that in public discourse, especially in the leading media, [...] very, very little art and culture has appeared. That means both the question: How are you? How do you work? And also: How do you, dear artists, think about this situation? What is your contribution? Stephan Behrmann(02 Oct 20)
But if the theaters are really interested in acting as the social laboratory as which they like to see themselves, then they could use the pandemic stop as a pause for reflection to negotiate their own future. Björn Bicker(20 Jul 20)
I am not given enough thought about the economic consequences of these step-by-step decisions. The entire sector is insecure, paralyzed, there is no basic timetable for what is possible under what conditions and when. Julius Frack(15 May 20)
For freelance musicians, the federal government has made it much easier to apply for basic social care, also known as 'Hartz IV'. But many find it humiliating to go to the job center. Eva Blaskewitz(02 Jun 20)
Give back culture to the Bavarian people! Unfortunately, State Premier Söder and Minister of Culture and Science Sibler react completely ignorantly and arrogantly. Dr. Axel Schertel(07 Jul 20)
Absurd. There is no meadow, no pub, no shop, no subway and no cabinet as far apart as the Philharmonie. Egbert Tholl(25 Jun 20)
Nevertheless, artists should not be allowed to commit themselves to the role of the poor creative in the quiet closet. You should occasionally make it clear to your audience that good art is a scarce good that costs something. Elke Buhr(08 Apr 20)
We are already in our fourth month. There is no longer any hope for the goodwill of the real estate industry. Lutz Leichsenring(20 Jul 20)
Wouldn't the time be right for a special solidarity payment for the wealthiest in this probably harsh autumn and an impending full lockdown? Herbert Grönemeyer(04 Nov 20)
Just the idea that school classes would follow mathematics lessons in the peace and quiet of a museum for months, receive social studies from Joseph Beuys and discuss history in the stalls of a [...] theater hall - what an outrageous gain. Catrin Lorch(11 Nov 20)
There will also be a new appreciation for how precious each seat is. Because then there are fewer houses in the country that play, fewer performances, fewer places. Theater tickets will be the hot shit in Berlin! Oliver Reese(23 May 20)
For me, this will be the first Christmas in 20 years without performances, without children's laughter and without mulled wine with colleagues. Kerstin Dathe(26 Nov 20)
Nobody has to come up with investigations anymore, really. Or do they after all? Exactly with this? With the investigation of what happens and what remains when a community experiences a collective heartbreak, a general disaster? Simone Buchholz(28 Oct 20)
If we are honest, the question of what costs what is no longer an issue. [...] The thing that is really depressing the population at the moment is that we have these limitations when it comes to social contacts. Olaf Zimmermann(26 Oct 20)
During the Frankfurt Book Fair, there is always such a rapid rise in the level of debates in German media - and this is another reason why the silence this week is so spooky. Felix Stephan(17 Oct 20)
While permanent employees would receive short-time work compensation, the loss of earnings of artists would be "completely negated". In many cases, at least. Karin Finkenzeller(14 Jun 20)
The employer's contribution to the artists' social security fund KSK is paid not only by the state, but also by the companies in the art and culture industry with their duties. Since the cultural industry has come to a standstill, these are now missing, and the existence of the artists' social security fund is endangered. Brigitte Werneburg(09 Nov 20)
Both, we have lost many jobs. So we had an idea: There's an issue out there, we have time, we're off now. Thomas Victor(23 May 20)
The infection rate that we now see going up has nothing to do with civilized events like concerts, cabaret, theater and that drives the artists crazy! Volkmar Halbleib(28 Sep 20)
It is the very own task of the management of a state theater to guarantee the operation of the play in compliance with all applicable laws and regulations. Angela Dorn(26 Sep 20)
It's hard to remember a time when culture in this country was considered so dangerous that it had to be locked away and banned from public space. Roman Bucheli(30 Dec 20)
The real and the beautiful is often created under precarious conditions. So far, hardly anyone has been interested in this. This should make the audience and the press blush of embarrassment.. Gero Schließ(30 May 20)
The Minister for Culture and Science in NRW has warned that culture must be careful not to always demand a special treatment. The scene should not >move too far out of the social consensus,< she said. What on earth is the offense of the scene? Max Moor(08 Nov 20)
I think it is also simply too rigid how culture is treated. Gunter Gebauer(24 Oct 20)
In Austria, the cultural nation, the following obviously applies: politicians and cultural bureaucracies are waiting for suggestions, organizers are waiting for guidelines. One could despair of this sluggishness if there weren't folk musicians, church musicians and counterexamples. Hedwig Kainberger(02 Jun 20)
The combination of streaming services and pandemic actually presents a unique danger situation. Netflix's stock price skyrocketed while movie theatres are on artificial respiration. Andreas Busche(28 Dec 20)
The protection of life is - in the truest sense of the word - not a killer argument to legitimise arbitrary, limitless restrictions on other freedoms. Christian Hillgruber(09 Dec 20)
That is strange. I was just at the ticket office, and people don't want to give their tickets back at all, they prefer to see the schedule for December already. They push it into the theater, and yet I think there is a weaning effect in the long run. Christian Stückl(02 Nov 20)
Our cultural life was not in the best condition even before the pandemic [...]. I fear that their long-term consequences are not yet clear to us in the least. The great [...] event culture will rise again. But what will become of all the more specific initiatives, venues, artists, less mainstream? Andreas Staier(04 Nov 20)
Artists and cultural institutions have no lobby and had to serve as "soft targets" for measures that politicians had not dared to implement elsewhere. Nicolas Freund(05 Jul 20)
[...] perhaps that will be the essence of after-pandemic criticism. More personal, more to the point, more empathetic, more open and less formulaic. Philip Kennicott(29 Nov 20)
Events of the ten signing Houses of Literature were attended by around 70,000 visitors last year with around 1,400 dates with approximately 3,000 contributors. Die zehn Häuser der Literatur(11 May 20)
Being profitable would be the wrong expression. But in fact, we're getting there. We receive support from the Hamburg Department of Culture and therefore we keep afloat. Corny Littmann(13 Aug 20)
And so films are shot all over the republic, with sometimes quite different restrictions ranging from very strict to rather lax. And also with double standards: On the set, we pay attention to distances. After the shooting is over, we meet in the beer garden without masks. Jörg Seewald(16 Jul 20)
In music, the audience is part of the communication. Clapping, reacting, empathizing is a crucial part of a live experience. It is very difficult to reproduce this digitally via livestream. Dr. Pop(08 May 20)
The fact that critical contemporary art of all things leaves a lousy carbon footprint is deeply absurd. A new museum culture could slow down the carousel, if only because in future either the works travel or the viewers do. Not both. Catrin Lorch(05 Jul 20)
Why do we need the cinema? [...] It is about experiencing the increasingly rare protected offline space. Somewhere we have to come back to ourselves, be unreachable and relocate ourselves in our bodies, in the presence of aliveness. Edgar Reitz(04 Jun 20)
It would be ironic if TV streaming services were to make lockdown millions while the very source of our acting, producing, writing and directing talent pool was allowed to die. Sam Mendes(05 Jun 20)
A final climax, a bright final chord - and then? No cheering. No bravos. Only dead silence after a sensationally good concert, a strong plea for New Music and an appeal for more music in lonely times. And I am close to tears. Rattle still quietly says "Bless you. Thank you so much." - and releases you into silence. Jens Lehmann(13 Mar 20)
A general strike up to a hunger strike would literally show how much the culture, namely the creative people, are starved. Peter Weibel(28 Apr 20)
When I look at how solo artists are doing: There are many of them who have no income and have to live with short-term support again and again [...], then I think we should perhaps use this break to think a little bit about the future. Amelie Deuflhard(05 Nov 20)
We don't know yet how long the Corona period will last. If older actors are systematically not cast, this could result in age discrimination. Heinrich Schafmeister(17 Jun 20)
I could imagine that Frankfurt would do well to think about it right now: How can this trade fair be changed? I think it would be a mistake to simply assume that you can carry on as usual. Elisabeth Ruge(13 Oct 20)
If I find the measures inconsistent, arbitrary and not effective enough, however, how will the rioters and haters in the web feel? Dorothea Marcus(31 Oct 20)
If there was ever a time that the world needed artists, it is now. In the aftermath of the virus, when the world is rebuilding itself, the cities have to step up. Hans Ulrich Obrist(05 May 20)
How can the art world react to the fact that the institutions are so geared towards tourism and large exhibitions. Daniel Birnbaum(30 Apr 20)
I lose a lot of my potential audience. And as someone who doesn't have a regular readership, that's not the best thing. Jasmin Schreiber(06 Apr 20)
It is about raising awareness that the artistic values ??that are created are more than aesthetics. They are basically life-sustaining spaces of reflection and scope for society as a whole. Ulrich Khuon(19 Apr 20)
I would like to see a more relaxed view on the risks of life. After all, we don't take away the driving license of every second driver because he is a potential cause of accidents. Matthias Goerne(13 Sep 20)
The Corona crisis remains the great art obstacle to classical music. In the USA everything lies idle until January. In Paris, everything is falling apart anyway. In Germany a kind of classical allotment garden is blooming. Manuel Brug(20 Jun 20)
Not hugging, not touching, moving at least one and a half metres away from the neighbour - for people who consciously communicate with their bodies every day, this is a maximum penalty. Dorion Weickmann(12 May 20)
Everything that is fun and innovative will then disappear. Or it will be bought up by big companies and streamlined until all events look the same. Julia Gudzent(21 Sep 20)
Art is like air. When it's there and it's good, we don't perceive it. If it were gone, we would notice it. Stephanie Lexer(31 May 20)
This is a different mode, but also a chance to present art in a completely different and contemporary way to art aficionados. Wolfgang Ullrich(17 Mar 20)
For everything that is not subsidized in the field of classical music, the prospects look extremely dismal at the moment. Karsten Witt(08 May 20)
These freelance photographers, along with many other freelancers, are probably the poorest pigs in the corona crisis. Yes, there is a lot to photograph. But the commissions are missing. Steffen Grimberg(07 May 20)
[...] Wednesday's package of federal and state resolutions, on the other hand, pushes culture into the annex, which lists the closure orders still in force, between "restaurants, bars, clubs" and "prostitution facilities", between beer and brothels. Andreas Kilb(18 Apr 20)
Then, however, Hesse, as the federal pioneer, opened up before all the other states again at once. Announced on Friday it was fact on Monday. Nobody could get up that fast. Theatres are tankers, complex, interlinked systems. Manuel Brug(20 May 20)
The Corona virus crisis revealed clearly that very many artists are not safeguarded and that it is more than ever necessary for artists to be able to insure themselves against unemployment, for example. Caroline Richards(17 Jun 20)
Instead of giving up the current season under political constraint or in anticipatory obedience, the task is to finally pull the strings again. Marco Frei, Christian Wildhagen(01 May 20)
It was difficult to get a view, to see or to read corona-distant, even non-corona topics, but with the first easings this is slowly changing again. But now Corona literature snapshots? Gerrit Bartels(06 May 20)
A logistical adventure is currently taking place in the rehearsal rooms: routing people with masks to the rooms, then let them play without masks, but with the distances that they must not exceed. Michael Schmitz-Aufterbeck(31 May 20)
This almost sounds like a self-abandonment of classical book culture. Corona doesn't seem to be the only virus the industry is suffering from. If in the end a virus called anxiety causes even greater damage, that would be fatal. Paul Jandl(17 Jul 20)
At the moment my job here in the theater is to actually take care of the inner life. Not mine, but that of the many staff members, because it feels very different than in March, when we were in a phase of the emerging spring [...]. Karin Beier(29 Sep 20)
The Chancellor and the heads of state are obviously interested in making it really bang loudly so that even the last one understands that the summer with its freedoms is over. The theaters are only one of several pawn sacrifices. Georg Kasch(28 Oct 20)
The bottom line is that "Neustart Kultur" [Restart Culture] is nevertheless only a small program, a drop in the ocean, on which especially private artists are threatened with thirst. Anne Sailer(24 Aug 20)
What is actually needed in parallel is an instrument for short-time work for the artists. Heike Herold(04 Jul 20)
Perhaps the cultural shutdown also comprises some good points, in so far as one can learn to appreciate Benjamin's “unique appearance of a distance as close as it may be”. Unlike kitchen art an aura cannot be simulated by definition »simply at home«. Richard Kämmerlings(27 Apr 20)
I just think things out: I have looked at the plans from the WHO, from the Federal Government. Then I researched everywhere and made a story out of it, and now that story is about to become reality. Klaus-Peter Wolf(06 Mar 20)
In the Corona crisis we experience a strange recourse to images. But pictures do not help us to understand the situation from a distance, neither in Bergamo nor in New York. Daniel Kehlmann(06 May 20)
The true state religion in this country is to have permanent positions. This explains the Corona special regulations and billions in aid. In the case of the self-employed, the state acts as if they themselves are to blame for the lack of orders. Sascha Lobo(09 Dec 20)
It's a curious situation we have right now. For example, if I live as an artist in Hamburg, then I'm lucky. If I live a few kilometres away in Lower Saxony, then I've had bad luck. Olaf Zimmermann(12 Jun 20)
It’s hard not to feel abandoned by American society as an arts worker. Georgina Pazcoguin(23 Sep 20)
Artists give away their work for free on the net. This reinforces the impression that this is a hobby. They like to do it and everybody is allowed to participate. Helmut Mauró(02 May 20)
The situation in the cultural sector has been
described and discussed in numerous interviews, corona diaries,
comments and reports in the past few weeks. Our annotated
of currently 175 sources
gathers voices from different sectors and media.
This creates a picture of the cultural landscape in crisis,
whose temporal transformation can be explored interactively
via a dedicated
So gefährlich war die Kunst noch selten . Aber der Kultur-Shutdown trifft uns alle Art has rarely been so dangerous . But the culture shutdown affects us all
by Roman Bucheli (30 Dec 2020) Original source: NZZ
Culture is currently banned from public space. This not only puts the livelihoods of cultural workers at risk, but is also a drastic experience for the community. The community lacks a place in which to experiment, formulate dissent, or test out ideas. Unlike in politics, the aim is not to assert one's own position, but to stimulate a discourse that forms a critical public sphere and thus drives the development of society. If it allows the individual to see the world with different eyes and to face the demands of everyday life more equanimously, an important task of culture is the humanization of society. Although art can also be enjoyed in isolation, it requires public space in order to help shape it. Karl Jaspers defined the public sphere as a prerequisite for truth, since the individual can only face up to debate in the public sphere. His disciple Hannah Arendt even spoke of the »venture of the public sphere«, since humanity can never be won in solitude. It takes public space to build a network of thoughts and relationships that encounter ideas from others and are considered before an audience. This is how a many-voiced conversation emerges. We are currently experiencing in online meetings that this is not possible in virtual space. The individual can cope with the absence of this analog exchange for a while, but society will break down in the long run. Read MoreRead Less
»Die freien Schauspieler sind überhaupt nicht abgesichert« . Metropoltheater München in der Coronakrise
by Jochen Schölch, Maja Ellmenreich (29 Dec 2020) Original source: Deutschlandfunk
Independent theatres are particularly affected by the crisis. The Metropoltheater itself, as Jochen Schölch, artistic director and founder of the Metropol, reported in an interview with Deutschlandfunk, will get through the crisis thanks to a grant from the city of Munich. Nevertheless, the theatre is currently short about 450,000 euros, which were financed from reserves from previous years. The shortfall is due to the fact that the theatre pays the actors, all of whom are only booked for individual productions, the equivalent of short-time allowance, to which actor s working on freelance contracts are not entitled. Since actors often switch between permanent employment and freelance contracts, they currently fall through the cracks of state aid. In addition to the city of Munich, the theatre is supported by non-refunded tickets and donations from the Friends of the Theatre.
Even though the theatre has come through the crisis well so far, the artistic director is still worried whether the audience will return to the theatre after the lockdown or whether they have become so accustomed to Netflix and the like that they will no longer leave the house to visit the theatre in the evening. The question of whether actors will still be available is also on his mind. Those who have the opportunity are currently signing a contract for a television series in order to be able to fall back on a permanent income.
In an online presentation with short, associative video clips, the Metropoltheater has reflected on what theatre after Corona could look like. There is no streaming offer, however, as they are convinced that theatre can only be experienced in analogue form. Read MoreRead Less
Zauber der lebenden Bilder . 125 Jahre Kino The magic of tableaux vivants
by Andreas Busche (28 Dec 2020) Original source: Tagesspiegel
To mark the anniversary of the first cinema showing on 28 December 1895, cinemas will be closed in almost all countries this year. The industry is therefore not in the mood to celebrate. In the Tagesspiegel, Andreas Busche reflects on the current situation of the industry on the occasion of the anniversary.
A premiere took place at Christmas: Warner and Disney released films without a theatrical release for the first time. The era of the blockbuster is thus coming to an end. Whether the new James Bond will draw audiences to the cinema next year remains open to que stion. In 2020, the combination of streaming services and the pandemic has taken an extreme toll on the industry. Currently, film theatres are only getting through the crisis with state support. This is not only because the film theatre has lost the aura that surrounded it in the early 20th century. At present, instead of euphoria, there is often a sense of mistrust towards the people sitting in the cinema with them. However - as Busche reminds us - cinema has always depended on a mixed calculation. For example, the factory owner Stollwerk realised early on that selling chocolate in the cinema hall would boost business. Today, cinema operators have to offer chocolate, nachos and cola to survive because ticket sales alone do not pay off.
The crisis of the cinema is proclaimed at regular intervals. Busche is therefore sure that it will survive this crisis, too - but he is not one of the optimists who hope that the pandemic could be a corrective for undesirable developments of past decades.Read MoreRead Less
Already after the spring lockdown, it was clear to many concert organisers of smaller events that they would be better off financially foregoing performances. The few places that could be allocated did not allow for cost-covering events. Nevertheless, many of them spared no effort to be able to offer events again, to bring artists on stage. The audience gratefully accepted the offer. The tickets for each concert were quickly sold out.Karl-Werner Joerg, who is in charge of several subscription series in the Rhine-Main region, criticises the fact that many organ isers have cancelled concerts in anticipatory obedience. Especially with the smaller concerts, hygiene concepts could be taken into account very well, which is why - unlike with a big rock concert - a cancellation did not seem necessary. This also shows the support he has received. Subscribers have largely supported him, some concerts could be made possible with special public payments or private donations.
For a freelance concert organiser who does not have his own venue, the emergency aid and bridging funds were not available during the lockdown. On the one hand, he has few fixed costs, on the other hand, he also had income from subscriptions during the lockdown, which he was, however, not allowed to use to finance the new season until the autumn.
In the current situation, he demands above all that smaller events be allowed to take place again and that the industry show more solidarity. If large spaces were opened up for smaller organisers, this would not only help them and the musicians, but would also send an important signal to the »culture industry«: As in agriculture or retail, it should be about promoting smaller initiatives so that in the end it is not only the big chains that survive.
Schauspielhaus-Intendant Stemann: «Uns ist die Fähigkeit abhandengekommen, mit anderen Menschen mitzufühlen»
by Julia Stephan, Nicolas Stemann (22 Dec 2020) Original source: Tagblatt
Working creatively and productively with the resistances that the Corona crisis means for theater professionals, that is the trademark of Nicolas Stemann, the co-director of the Schauspielhaus Zürich. Already last spring, he accompanied life during the pandemic critically and humorously at the same time with columns for the Neue Zürcher Zeitung and the 'Corona Passion Plays'. In his home office he wrote songs for the Passion Plays, as it was not possible for him to discuss developments during the suspended rehearsals. Nevertheless, he also sees the nega tive sides of the pandemic. Workflows have to be rethought, premieres postponed, casts minimized, schedules rescheduled - of course, this also means a great burden. On the one hand, this increases the workload for many, and on the other hand, it is extremely stressful, especially for actors, if they cannot rehearse with a goal in mind. This is one of the reasons why the Schauspielhaus Zurich very successfully offers a live-streamed performance once a week.
It is important for Stemann to emphasize that the theaters consider the closure of the houses to be an important contribution to the fight against the pandemic. His only concern is that it may have too little impact by placing too few restrictions in other areas. With regard to the concerns and problems of people during the pandemic, he considers art and culture to be extremely important in order to negotiate the open questions together in a discussion space and to find an outlet for emotions. The fact that this is not available at the moment, but that instead emotions such as hatred and incomprehension are acted out in social networks, is for him one of the major problems of the theater closures.Read MoreRead Less
During the first Lockdown, the theatres mainly offered internal recordings of performances in streaming, but since November there has been an increase in plays that were explicitly developed for live streaming. These productions are linked to online payment models. Here, the audience can only watch a live stream after having purchased a ticket. This is increasingly important for theatre professionals. Not only does it prevent viewers from switching from theatre to theatre, as in the case of television, but above all the ticket purchase valorises the cultural experience. In addition, the theatres can cover at least part of their expenses. If, as in Leonie Böhm's ›Leonce und Leonce‹ at the Schauspielhaus Zurich, the director Leonie Böhm herself directs the six cameras and thus guides the view, then the theatre evening also promises an artistic concept. Pure documentaries with rigid camera work, on the other hand, fail the critics. The Deutsches Theater in Berlin is still cautious about live streaming, as audience numbers for productions that have to be paid for have dropped into the mid-three-digit range. The Sophiensäle in Berlin were also quite positive about live performances by the group Interrobang. However, even for events in the theatre here, the attendance figures are very reduced compared to streamings. Experimentation with streaming and hybrid forms, the theatre-makers agree, will continue to develop its own forms of presentation after the lockdown. In the crisis, streaming seems to offer theatre-makers a welcome field of experimentation to creatively find answers to the closed houses and to keep in touch with their audiences.Read MoreRead Less
Kino in Corona-Zeit . Rückblick aufs (Katastrophen-) Filmjahr Cinema in times of Corona . Review of the (disaster) film year
by Walli Müller (20 Dec 2020) Original source: NDR
The annual reviews begin in mid-December. The film industry and cinema operators were particularly hard hit in 2020. While the start of the year with the 'Kangaroo Chronicles' still looked quite good, the Corona pandemic led to a 70 percent drop in sales for the year as a whole. The reason for this are not only the Hollywood blockbusters, which will not be screened until next year, and the competition from streaming providers, but above all the reduced space available and the renewed lockdown in November. German productions like 'Undine' and 'Berlin A lexanderplatz' reached only a small audience despite awards and good reviews. Only the children's film was able to show good attendance figures with 'Jim Knopf und die Wilde 13', despite the small amount of space available, November started promisingly.
On a positive note, 2020 saw the revival of drive-in cinemas and hybrid film festivals that made it open to more than just local visitors through online access. Nevertheless, the closures and the competition from streaming platforms are making it difficult for cinemas to operate. Three cinemas had to file for insolvency this year due to corona; whether these are the only victims of the industry will become clear in 2021.
Auktionshäuser sind die Gewinner in der Krise Auction houses are the winners in the crisis
by Christian Herchenröder (17 Dec 2020) Original source: Handelsblatt
The corona-induced shrinkage of 30 to 40 percent is distributed differently among the players in the art market. While 2020 art fairs and galleries with virtual art fairs and exhibitions were only able to score with the public to a limited extent, the auction houses recorded strong sales increases with online-only auctions. In particular, they were able to encourage first-time buyers, especially from America and China, to bid for high-priced art, especially in the contemporary sector.
Place de la Bastille, la culture crie sa colère face au “mépris” du gouvernement Place de la Bastille, the culture cries out in anger at the government's »contempt«
by Sophie Rahal (15 Dec 2020) Original source: Télérama'
The French government's recent decision not to reopen cultural institutions on 15 December is leading to nationwide demonstrations by cultural workers from a wide range of disciplines, from street art to contemporary music and visual artists. The discontent articulated in Montpellier or in the historic Place de la Bastille in Paris is directed against the »contempt« articulated in government conduct. But it expresses also the financial precariousness that affects many of them despite state aid measures. The cultural workers are not asking for special trea tment but lamenting the injustice because despite all the health precautions taken to keep audiences safe, theatres and cinemas remain closed while commerce and churches are allowed to reopen. Actor Samuel Churin warns: »But [...] since the government has made a political decision, [...] we have to go into resistance. We will invade churches, shopping malls, auction houses.... And we will put on shows there«. He is one of the co-initiators of an emergency motion to be set up at the Conseil d'État on 16 December demanding the reopening of the venues.Read MoreRead Less
Der deutsche Staat verachtet Selbstständige und Kreative The German state is contemptuous of self-employed and creative people
by Sascha Lobo (09 Dec 2020) Original source: Der Spiegel
Why do solo self-employed people receive so little support from the GroKo during the crisis? This is the question that author and strategy consultant Sascha Lobo addresses in his column. Based on an interview with the SPD politician and Lower Saxony's Minister President Stephan Weil, in which he pointed out that Corona aid is a means of solidarity. Since the self-employed have not paid into any unemployment insurance so far, they are now dependent on transfer payments from the state. For this reason, he calls in the interview for compulsory insurance for the se lf-employed.
What sounds plausible at first glance turns out, on closer inspection, to be an attempt to curb self-employment in Germany. In principle, the self-employed make an important contribution to the community of solidarity. For years, one-third of the pension fund has been replenished with tax revenues, since the pension insurance would otherwise be bankrupt. In other words, the self-employed pay for a benefit that they themselves do not receive. Unemployment insurance for the self-employed has been discussed time and again since the turn of the millennium, but it has never been implemented. The failure to include non-permanent employees in social systems is now being used to the opposite effect, however, as the solo self-employed in particular are being accused of taking advantage of transfer payments - i.e. benefits without receiving anything in return. The fact that the self-employed are also taxpayers is tacitly passed over. Even the comment by Finance Minister Olaf Scholz that the solo self-employed, who have been particularly hard hit by the pandemic, are being supported with all their might is no more than lip service. They are being offered a total of 5,000 euros until next summer to cushion their massive sales losses. November aid is only available to self-employed workers who are directly affected. But because the self-employed in particular are diversely positioned, they quickly fall below the 80 percent threshold, which means that if they have generated less sales with companies directly or indirectly affected by Lockdown, they will not receive any assistance. Yet it is precisely the solo self-employed who drive the economy forward with innovations and, under certain circumstances, lay the foundation for large companies. But it is only when the self-employed generate permanent jobs that they receive recognition from the state in the form of billions in aid, state loans or short-time work.
Lobo uses the example of author and director Anika Decker to show how little the work of creatives and the self-employed is respected. She wrote the book for the mega-successful film »Keinohrhasen« (No Ears), but was not given a share of the success by the production company. The commercializing company has now been sentenced to pay for the author's creative work, but the example shows how little creativity is valued in Germany.
Why does self-employment still have the reputation in Germany of being unsound and somehow unserious? Permanent employment, on the other hand, is considered sacred? One important reason is that too many self-employed people could bring down our social security systems. From 50 percent tax contribution to the pension fund, the self-employed could overturn the pension system, since it violates the equal treatment system of the German constitution. Thus, they will probably not be offered a worthy instrument for old-age security in the future either, and instead they will have to accept accusations of unsolidarity.Read MoreRead Less
A subtle vision welcomes visitors on the front page of facing arts: an animation of
black and white artist portraits that have a questioning, challenging or just curious eye on the visitors. In the
foreground changing quotes from the commented collection of articles »Quo vadis ars?«
are sliding. These short highlights give an overview of the current discussion about
the arts in times of Corona. The names of the cited persons link to the respective
text in the review collection. Facing arts documents the diversity of the cultural
landscape and at the same time opens up a discourse space reflecting the importance
of the arts in the present.
Facing Arts - «Fear Eats the Soul»
Closed concert halls, theaters, museums, literary houses, libraries and cinemas are not only
an expression of a society in a state of emergency, but also a sign of a crisis that is particularly
hard on the creative industry. For artists, the closure of all public and private cultural institutions
does not only mean a ban on work, which for most people goes hand in hand with an immense drop in sales.
At the same time, the prescribed social distancing also means that personal exchange and interaction,
as they are not only important for musicians, actors, writers and acrobats with colleagues, and
the public, but also at the same time the development of new project ideas and thus the acquisition
of new orders for the coming months is hardly possible. It is the crisis after the crisis that has l
left many cultural professionals in a state of shock. With reference to Rainer Werner Fassbinder's
film Angst essen Seele auf [engl. Ali: Fear Eats the Soul], the chairman of the German Cultural Council
has found a fitting picture for the current situation. The aim of facing arts is to counteract this rigidity,
Artists showing their face – 25 times per second
In facing arts, the many hard-to-understand faces of creative artists in Germany and beyond condense.
The projection thus creates a new form of publicity at a time when Article 8 of the German constitution
is largely overridden and public demonstrations are not possible. Artists gather here virtually, not only
to draw attention to their situation, but also to demonstrate their right to practice freely. In this
way, the public also becomes aware of how large the anonymous number of solo soloists
in the cultural sector actually is. 188,332 active artists are registered in Germany's Artists' Social Welfare Fund (KSK) alone.
Quo vadis ars? – »cultural« memory of the crisis
But speed does not only play a role in the facial animation, but also in public discourse.
Who remembers at the beginning of June 2020 how the situation of the artists was assessed in March.
What forecasts were made and which artistic genres are currently being given special consideration
in the discussion, in other words, who is supported by the media and thus receives a voice and who
does not? The commented collection of contributions "Quo vadis ars?" is intended to trace the
development of the discussion. The question raised again and again about the function of art
and culture in society can thus be answered.
In the quotations on the front page of facing arts, individual actors have their say.
The short statements are taken from the collection of articles. Each time the page is
called up, nine portraits and five quotations are called up at random. The animation
with the black-and-white portraits in the background of the page is meant to arouse
curiosity about the project facing arts and at the same time to make people think
about the individual fates of the artists in the face animation collective.
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Faces & Locations
is supposed not only to be a web platform. To give the cultural landscape literally a face,
facing arts will present the faces of the arts in public space. Every place is possible putting pictures in motion:
from the cinema screen to tours in museums and galleries to
large-scale projections in public space.
Facing science presented 2010 on the exhibition WeltWissen, Martin Gropius Bau, Berlin.
The signet of facing arts joining the faces of STORM.
The face projection or your thank-you clip is particularly impressive as all eye pairs are always in the same position. So viewers have the feeling to be "watched" by the projection. By marking the pupils yourself in your picture, you relieve us of this step and we can release your picture faster.
Your Thank-You-Clip is automatically generated with the preciding 49 images uploaded on the plattform. So your portrait will bei included in the clips of the next 49 persons submitting their portraits after you.
In order to attract interest for the situation of artists during the corona crisis it is important to communicate
your project to a larger audience. So please share your Thank-You-Clip with other artists so they also can get part of the project.
In this way we will show, that art is an important socio-economic factor of our society.
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Make a post with your statement and a link to facing arts in one of your social media accounts and sent us the
link via mail on storm[a]facingarts.net. We will check it and share it in our blog.
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If you have further questions don't hesitate to contact us. You find a contact form in the about section.
Facing arts is a non-profi project. Feel free to support it and get in touch with us!
Facing arts is a projet by STORM.
STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth,
who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist
in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer.
He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and
light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de
Special thanks to
Paco Croket for the tag cloud programming!
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