Quo vadis ars?
The situation in the cultural sector has been
described and discussed in numerous interviews, corona diaries,
comments and reports in the past few weeks. Our annotated
collection
of currently 193 sources
gathers voices from different sectors and media.
This creates a picture of the cultural landscape in crisis,
whose temporal transformation can be explored interactively
via a dedicated
tag cloud.
Das Kulturland ist erschreckend still geworden
The cultural nation has become alarmingly silent
by Hedwig Kainberger (02 Jun 2020)
Original source: Salzburger Nachrichten
In Austria, cultural events were again allowed for the first time on Pentecost weekend. But operations started slowly. In Salzburg, only a few dates were listed in the event calendar. This leads the department head for culture Hedwig Kainberger to a snappy comment, in which she accuses the creative artists of little daring and creativity in dealing with the new event regulations.
tag Veranstaltungen All sections Kommentar
Elend und Energie . Musik in Corona-Zeiten
Misery and Energy . Music in Times of Corona
by Eva Blaskewitz (02 Jun 2020)
Original source: Deutschlandfunk
Eva Blaskewitz takes the listeners of the radio broadcast Music Scene at Deutschlandfunk on a journey through the music landscape during the corona crisis. Both individual musicians and orchestras are currently developing diverse new formats in order to keep in touch with their audience. But the costs for events that have not taken place are high, the self-employed musicians fear for their existence.
tag klassische Musik Absagen Honorare Konzerthäuser Konzertagenturen Onlineangebote Balkonkonzerte Idagio Music Bericht
Kein »Zurück auf Los« für die Kultur
No »Go back to square one« for culture
by Gero Schließ (30 May 2020)
Original source: Deutsche Welle
Beside aviation, tourism and gastronomy, the pandemic has hit culture hardest. The cultural and creative industries are still waiting for the saving stimulus package that will compensate for the consequences and maintain the infrastructure. What is already foreseeable: the damage in the cultural sector is gigantic and it will have long-term effects. Part of the problem is the large number of employees who live on the edge of the subsistence level and have no reserves. This raises the fundamental cultural-political question of how to improve the situation after the crisis .
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tag Konjunkturpaket Mini-Jobs prekäre Lebenslage kulturelle Infrastruktur All sections Kommentar
Kritische Verteidigerin der hiesigen Demokratie . Neues Buch von Juli Zeh
Critical advocate of democracy . New book by Juli Zeh
by Andrea Gerk, Arno Orzessek (25 May 2020)
Original source: Deutschlandfunk Kultur
Juli Zeh's novel "Corpus Delicti" has already been published in 2009. So it is not a Corona novel, even though it fits perfectly into our time. In her dystopia, Zeh deals with the topic of health dictatorship by describing the seductive power of a health policy that promises everyone a long and healthy life. The bible of the system is entitled "Health as a principle of state legitimation" and establishes the METHOD, which in the novel legitimizes the primacy of the health of the individual and society in a purely logical way. In order to keep the promise of health, all possible data is collected from citizens. Zeh's criticism of people's self-subjugation in terms of health, fitness and performance optimization is unmistakable.
Since the novel is school reading, the author has now published a volume of interviews in which she answers the questions that students were asking her. The book is a self-portrait of the citizen Juli Zeh and allows for critical reflection on the Corona crisis. Zeh's statement - »It is really not easy to recognize the unreasonable in reason.« - can certainly be transferred to the present.
The critic Arno Orzessek appears to be very taken with Zeh's book, as he shares her »criticism of comprehensive preventive thinking, of reward systems for correct, i.e. conformist, systems of living«, as they can currently be observed in China. »Once you believe that life and politics are primarily about defending against any form of threat, then all other values fade away and I fear she is right about that.«
With regard to the Corona pandemic, Orzessek considers the book to be quite remarkable. He himself is very irritated by the at times »extreme authority of the virologists« in recent weeks and months. To reduce reality merely to the current case and death figures reported by the Robert Koch Institute neglects many important aspects of our everyday lives. The author and constitutional judge Juli Zeh, together with other philosophers and politicians, also pleaded in late April in »Der Spiegel« for the preservation of proportionality and made constructive suggestions as to how the rights of the individual could be preserved in the present. Read More Read Less
Since the novel is school reading, the author has now published a volume of interviews in which she answers the questions that students were asking her. The book is a self-portrait of the citizen Juli Zeh and allows for critical reflection on the Corona crisis. Zeh's statement - »It is really not easy to recognize the unreasonable in reason.« - can certainly be transferred to the present.
The critic Arno Orzessek appears to be very taken with Zeh's book, as he shares her »criticism of comprehensive preventive thinking, of reward systems for correct, i.e. conformist, systems of living«, as they can currently be observed in China. »Once you believe that life and politics are primarily about defending against any form of threat, then all other values fade away and I fear she is right about that.«
With regard to the Corona pandemic, Orzessek considers the book to be quite remarkable. He himself is very irritated by the at times »extreme authority of the virologists« in recent weeks and months. To reduce reality merely to the current case and death figures reported by the Robert Koch Institute neglects many important aspects of our everyday lives. The author and constitutional judge Juli Zeh, together with other philosophers and politicians, also pleaded in late April in »Der Spiegel« for the preservation of proportionality and made constructive suggestions as to how the rights of the individual could be preserved in the present. Read More Read Less
tag Corona-Roman Dystopie Gesundheitsdiktatur Grundrechte Corpus Delicti Juli Zeh Konformismus Literature/ Text Rezension
Corona und Kultur in Berlin . Im ganz falschen Film
Corona and Culture in Berlin . In the completely wrong motion picture
by Bert Schulz (23 May 2020)
Original source: taz
What better place to enjoy culture right now than in the open air? The virus does not like summer weather, so the risk of infection outdoors is low. While cosmetic studios and shopping malls are reopening, not even the ten open-air cinemas in Berlin have a perspective on when they will be allowed to play again. The cinema operators are prepared for this: In the Friedrichshain open-air cinema, for example, not only have benches been dismantled to create space, but the operators have also set up a space-saving online booking system. This would mean that the operator would voluntarily give up around three quarters of its seats in order to protect its visitors. Only a super summer would enable him to work economically. The idea of how to play in closed houses under such conditions is sobering. It is all the more surprising that the Berlin Senate does not give the green light for open-air cinemas, thus not only helping the operators to generate income, but also giving back a small slice of culture to Berliners.
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tag Film Freiluftkino Open Air Performing Arts/ Cinema Kommentar
»Die Blockbuster haben ausgedient« . Museen nach dem Shutdown
»The blockbusters had their day« . Museums after shutdown
by Hans D. Christ, Iris Dressler (23 May 2020)
Original source: Welt
In a conversation with WELT newspaper, the heads of the Württembergischer Kunstverein in Stuttgart Iris Dressler and Hans D. Christ make an argument to take advantage of the lockdown for a deeper reflection on the art world. Their text is not only a plea for a reasonable payment for the artists, but at the same time an invitation to the art institutions not to focus on a mass audience in the future, but rather to understand the houses as spaces of ideas and discourse, in which sociopolitical issues are negotiated.
tag Museen Blockbuster Honorar Visual Arts/Design Interview
»Das ist eine neue Kunstgattung«
»That's a new genre«
by Christian Riethmüller (22 May 2020)
Original source: Frankfurter Allgemeine Zeitung
On Friday, May 22nd, a new format of live entertainment did celebrate its premiere in Frankfurt: With the Stage-Drive-Kulturbühne, the cultural stage at the Jahrhunderthalle has developed a format based on the drive-in cinema, which again makes a cultural program with comedy and cabaret, music, literature and film possible. The stage is supported by two LED screens, each 50 square meters in size, which make the events visible to the visitors. They sit in the parking lot, distributed over 300 vehicles, sorted according to size. The sound is transmitted to the car rad ios via a dedicated FM frequency. Tickets are sold per car. Outside of the vehicles the usual hygiene rules apply. Whether the format works, for example if a cabaret artist cannot hear the laughter of his audience, can be seen here from Friday on. Moritz Jaeschke, Managing Director of the Jahrhunderthalle, developed the new stage format in close cooperation with the Frankfurt/Rhine-Main Business Initiative, which also provides financial support for the project. The business initiative is convinced that culture should not be neglected as an important location factor in the region. The stage could also be used for other purposes such as company presentations. First of all, however, a multifaceted cultural program is planned, which can be accessed via the Jahrhunderthalle's homepage.
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tag Stage-Drive-Kulturbühne Frankfurt Wirtschaftsfaktor Performing Arts/ Cinema Bericht
Eine Frage der Klimaanlage? . Corona und Kulturveranstaltungen
An air-conditioning issue? . Corona and cultural events
by Reinhard J. Brembeck (22 May 2020)
Original source: Süddeutsche Zeitung
Even before the crisis, the promotion of the independent art scene was not very lavish. Currently, the survival of the arts are not considered to be of relevance in politics. While aid for Lufthansa and the easing of restrictions for football matches are being discussed, support for artists is only hesitant. Even large orchestras such as the Berlin Philharmonic Orchestra are going into short-time work. Although the concert halls don't want to become a virus hotspot, the ban on exercising their profession is ruining them financially. Houses like the Festspielhaus in B aden-Baden or the Berlin Philharmonic have to generate a large part of their income themselves. Even rich institutions soon go bankrupt. In this situation, the commentator asks the question whether the artists should not put forward their demands just as shamelessly as other commercial enterprises.
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tag Konzerthäuser Berufsverbot Fluggesellschaften Hygieneregeln Music Kommentar
Wenn der Atem nach Freiheit dürstet . Endlich wieder im Konzert
When the breath thirsts for freedom . Finally in concert again
by Manuel Brug (20 May 2020)
Original source: Welt
For eight weeks and two days, Manuel Brug, the feuilleton contributor to the German newspaper Welt, did not attend any more cultural events. For the first live concert in Corona times he is travelling to Wiesbaden for the slimmed-down May Festival, which opens with the world-class bass and Corona rebel Günther Groissböck. Even though it was painfully experienced during the Corona era that culture is not relevant to the system and that politics is merely settling between gambling and brothel, this field report encourages the belief that the cultural industry can slowly reboot.
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