Quo vadis ars?
The situation in the cultural sector has been
described and discussed in numerous interviews, corona diaries,
comments and reports in the past few weeks. Our annotated
collection
of currently 193 sources
gathers voices from different sectors and media.
This creates a picture of the cultural landscape in crisis,
whose temporal transformation can be explored interactively
via a dedicated
tag cloud.
Zauber der lebenden Bilder . 125 Jahre Kino
The magic of tableaux vivants
by Andreas Busche (28 Dec 2020)
Original source: Tagesspiegel
To mark the anniversary of the first cinema showing on 28 December 1895, cinemas will be closed in almost all countries this year. The industry is therefore not in the mood to celebrate. In the Tagesspiegel, Andreas Busche reflects on the current situation of the industry on the occasion of the anniversary.
A premiere took place at Christmas: Warner and Disney released films without a theatrical release for the first time. The era of the blockbuster is thus coming to an end. Whether the new James Bond will draw audiences to the cinema next year remains open to que stion. In 2020, the combination of streaming services and the pandemic has taken an extreme toll on the industry. Currently, film theatres are only getting through the crisis with state support. This is not only because the film theatre has lost the aura that surrounded it in the early 20th century. At present, instead of euphoria, there is often a sense of mistrust towards the people sitting in the cinema with them. However - as Busche reminds us - cinema has always depended on a mixed calculation. For example, the factory owner Stollwerk realised early on that selling chocolate in the cinema hall would boost business. Today, cinema operators have to offer chocolate, nachos and cola to survive because ticket sales alone do not pay off.
The crisis of the cinema is proclaimed at regular intervals. Busche is therefore sure that it will survive this crisis, too - but he is not one of the optimists who hope that the pandemic could be a corrective for undesirable developments of past decades. Read More Read Less
A premiere took place at Christmas: Warner and Disney released films without a theatrical release for the first time. The era of the blockbuster is thus coming to an end. Whether the new James Bond will draw audiences to the cinema next year remains open to que stion. In 2020, the combination of streaming services and the pandemic has taken an extreme toll on the industry. Currently, film theatres are only getting through the crisis with state support. This is not only because the film theatre has lost the aura that surrounded it in the early 20th century. At present, instead of euphoria, there is often a sense of mistrust towards the people sitting in the cinema with them. However - as Busche reminds us - cinema has always depended on a mixed calculation. For example, the factory owner Stollwerk realised early on that selling chocolate in the cinema hall would boost business. Today, cinema operators have to offer chocolate, nachos and cola to survive because ticket sales alone do not pay off.
The crisis of the cinema is proclaimed at regular intervals. Busche is therefore sure that it will survive this crisis, too - but he is not one of the optimists who hope that the pandemic could be a corrective for undesirable developments of past decades. Read More Read Less
tag Kino Streaming Blockbuster Misstrauen Krise als Chance Performing Arts/ Cinema Bericht
Kino in Corona-Zeit . Rückblick aufs (Katastrophen-) Filmjahr
Cinema in times of Corona . Review of the (disaster) film year
by Walli Müller (20 Dec 2020)
Original source: NDR
The annual reviews begin in mid-December. The film industry and cinema operators were particularly hard hit in 2020. While the start of the year with the 'Kangaroo Chronicles' still looked quite good, the Corona pandemic led to a 70 percent drop in sales for the year as a whole. The reason for this are not only the Hollywood blockbusters, which will not be screened until next year, and the competition from streaming providers, but above all the reduced space available and the renewed lockdown in November. German productions like 'Undine' and 'Berlin A lexanderplatz' reached only a small audience despite awards and good reviews. Only the children's film was able to show good attendance figures with 'Jim Knopf und die Wilde 13', despite the small amount of space available, November started promisingly.
On a positive note, 2020 saw the revival of drive-in cinemas and hybrid film festivals that made it open to more than just local visitors through online access. Nevertheless, the closures and the competition from streaming platforms are making it difficult for cinemas to operate. Three cinemas had to file for insolvency this year due to corona; whether these are the only victims of the industry will become clear in 2021.
Read More Read Lesstag 2020 Kino Filmstarts Umsatzverlust Streaming Insolvenz Performing Arts/ Cinema Jahresrückblick
»Die virtuelle Welt hilft uns leider nicht« . Star-Geigerin Anne-Sophie Mutter über Corona
»Unfortunately the virtual world does not help us at all« . Star violinist Anne-Sophie Mutter on Corona
by Anne-Sophie Mutter, Gero Schließ (20 Oct 2020)
Original source: Deutsche Welle
Already in the summer, violinist Anne-Sophie Mutter and her colleagues wrote an open letter calling for support from the society for musicians. Now she is using the Opus Klassik award to draw attention to the precarious situation of many artists in the Corona crisis. In an interview with Deutsche Welle, she once again expresses her position. She herself is doubly affected by the pandemic. Not only are most of her concerts cancelled for 2020, but in March she had to cancel her tour because she herself had fallen ill with the corona virus.
The violinist reacts with incomprehension to the current actions of politics. At concerts and cultural events, there are extremely strict rules of hygiene, while in restaurants people are allowed to celebrate without distance. The fact that this not only discriminates against a single profession, but also against a high-turnover industry and thus the entire German cultural landscape is on the verge of collapse, hurts her very much. She does not want her concerns to be understood as criticism of the work of the Minister of State for Culture, with whom she is in close contact. Rather, she hopes for new aid measures for all solo self-employed people in the cultural industry so that it can be saved through the crisis. If this does not happen, the industry must raise its voice in demonstrations.
For Mutter, there is no question that art and culture are important as sources of consolation, especially in times of crisis. To rely on streaming as self-exploitation of artists in this time is no solution for society as a whole. Even if concerts are currently taking place, the musicians usually play without a part of their fee, since they usually give two concerts each in front of a hall that is at most half full. Mutter suggests that one should follow the example from Salzburg, where with the chessboard pattern and consistent testing the festival could be carried out as usual. The gratitude of the audience, which she experienced in autumn, shows her how important music is during a crisis. Read More Read Less
The violinist reacts with incomprehension to the current actions of politics. At concerts and cultural events, there are extremely strict rules of hygiene, while in restaurants people are allowed to celebrate without distance. The fact that this not only discriminates against a single profession, but also against a high-turnover industry and thus the entire German cultural landscape is on the verge of collapse, hurts her very much. She does not want her concerns to be understood as criticism of the work of the Minister of State for Culture, with whom she is in close contact. Rather, she hopes for new aid measures for all solo self-employed people in the cultural industry so that it can be saved through the crisis. If this does not happen, the industry must raise its voice in demonstrations.
For Mutter, there is no question that art and culture are important as sources of consolation, especially in times of crisis. To rely on streaming as self-exploitation of artists in this time is no solution for society as a whole. Even if concerts are currently taking place, the musicians usually play without a part of their fee, since they usually give two concerts each in front of a hall that is at most half full. Mutter suggests that one should follow the example from Salzburg, where with the chessboard pattern and consistent testing the festival could be carried out as usual. The gratitude of the audience, which she experienced in autumn, shows her how important music is during a crisis. Read More Read Less
tag Klassik Streaming Schachbrettmuster Salzburger Festspiele Honorar Gleichbehandlung Monika Grütters Music Interview
Deutsche Filmbranche sucht Auswege aus der Corona-Krise . Filmkunstmesse in Leipzig
German film industry seeks ways out of the Corona crisis . Film art fair in Leipzig
by Ole Steffen (17 Sep 2020)
Original source: mdr Kultur
The film art fair takes place in Leipzig. The event was the first industry meeting in Germany since the beginning of the Corona crisis and thus also served to reflect on the current situation.
As an introduction to a panel discussion at the Alte Handelsbörse in Leipzig, the Minister of State for Culture, Monika Grütters, had the opportunity to make a statement on cultural funding during the Corona crisis. This was followed by a panel discussion with, among others, Carlo Chatrian, festival director of Berlin, and Michael Kölmel, managing director of Weltkino distribution. The latter assessed the film industry's funding awards - for producers, distributors and cinemas - as fundamentally positive, but complained that film distributors only receive funding for German films. Since the film business is now international, this hardly helps at all. Monika Grütters pointed out that the extra billion for culture is financed by taxpayers' money, which is why it is necessary to look very closely at how the funding is distributed.
As an introduction to a panel discussion at the Alte Handelsbörse in Leipzig, the Minister of State for Culture, Monika Grütters, had the opportunity to make a statement on cultural funding during the Corona crisis. This was followed by a panel discussion with, among others, Carlo Chatrian, festival director of Berlin, and Michael Kölmel, managing director of Weltkino distribution. The latter assessed the film industry's funding awards - for producers, distributors and cinemas - as fundamentally positive, but complained that film distributors only receive funding for German films. Since the film business is now international, this hardly helps at all. Monika Grütters pointed out that the extra billion for culture is financed by taxpayers' money, which is why it is necessary to look very closely at how the funding is distributed.
International films played an important role in the discussion, because blockbusters from America usually attract visitors to the cinemas. At present, US films are being held back by German distributors, which is why many cinema owners complain that they are not only restricted by hygiene rules, but that the reduced number of films on offer also attracts hardly any visitors to the cinemas. Carlo Chatrian, festival director of the Berlinale, pointed out that defocusing American productions could also be an advantage. He also sees therein an opportunity to stimulate a new reflection on the quality of films and a European film culture.
Read More Read Lesstag Filmindustrie Filmverleiher Filmkunstmesse Blockbuster Leipzig Monika Grütters Carlo Chatrian Performing Arts/ Cinema Bericht
Kinos in Not . Betreiber fordern finanzielle Hilfen – und blicken neidisch nach Bayern
Cinemas in need . operators demand financial aid - and look enviously to Bavaria
by Tim Spark (05 Sep 2020)
Original source: Handelsblatt
The film industry is suffering from the Corona crisis. Above all, German cinema operators do not see how they can maintain their program offerings in the long term. Michael Pawlowski, co-partner of the Filmpalast Group, reports a 50 percent drop in visitors in North Rhine-Westphalia. In federal states with stricter visitor regulations - in NRW only one seat has to be vacated - the decline is even more serious. This means that cinema operations are currently being run from reserves, as the revenues are not sufficient to cover them.
This is the situation that 68 med ium-sized, family-run movie theaters have to address in an open letter to Monika Grütters. The cinema operators need financial support and a relaxation of the hygiene rules. Since the movie theaters are well ventilated and the visitors do not speak during the screening, the risk of infection is lower in the cinema than in the office, according to a study by the Hermann Rietschel Institute of the Technical University of Berlin.
But it is not only the rules of distance that make life difficult for cinema operators. Film distributors are currently holding back on film releases because the number of visitors is currently not very attractive.
Although the German Minister of State for Culture has already released funds to support cinemas, these funds are tied to conversion, modernization and equipment measures and are therefore not helping to save the cinemas in the current liquidity squeeze.
In Bavaria, there is currently an aid program in place that compensates cinema operators for every visitor they have less than last year. In the other federal states, this model is seen as an opportunity to at least cover the fixed costs of the cinemas and prevent a cinema from dying out. Read More Read Less
This is the situation that 68 med ium-sized, family-run movie theaters have to address in an open letter to Monika Grütters. The cinema operators need financial support and a relaxation of the hygiene rules. Since the movie theaters are well ventilated and the visitors do not speak during the screening, the risk of infection is lower in the cinema than in the office, according to a study by the Hermann Rietschel Institute of the Technical University of Berlin.
But it is not only the rules of distance that make life difficult for cinema operators. Film distributors are currently holding back on film releases because the number of visitors is currently not very attractive.
Although the German Minister of State for Culture has already released funds to support cinemas, these funds are tied to conversion, modernization and equipment measures and are therefore not helping to save the cinemas in the current liquidity squeeze.
In Bavaria, there is currently an aid program in place that compensates cinema operators for every visitor they have less than last year. In the other federal states, this model is seen as an opportunity to at least cover the fixed costs of the cinemas and prevent a cinema from dying out. Read More Read Less
tag Kinobetreiber Filmwirtschaft Neustart Kultur Filmproduktion Monika Grütters Hygieneregeln Performing Arts/ Cinema Bericht
Besucheransturm auf Museen nach Lockdown bleibt offenbar aus
Visitor rush on museums after lockdown apparently is missing
by Wolfgang Ullrich (14 Jul 2020)
Original source: Deutschlandfunk
The museums are open again, but the expected visitors are missing in many houses. In an interview with Deutschlandfunk radio, Wolfgang Ullrich explains why the offer is so hesitantly accepted and how the museums will change in the coming years.
An important approach for understanding the hesitant return of visitors after the opening of the museums lies in the changed perception of the museum visit.The idea still prevailed that visitor contemplate before the works and enjoy the peace and quiet. In that context, it is often forgotten that the museum has become an im portant social place. You visit it with friends and acquaintances to experience something there. This is not yet the case. The obligation to wear masks and the limited number of visitors is a deterrent to many people.
Wolfgang Ullricht basically assumes that the exhibitions will change in the next few years. Large blockbuster exhibitions will no longer be economically viable with lower visitor numbers. Museums will therefore have to concentrate more on their collections again and use these to design attractive exhibitions for a local audience. Read More Read Less
An important approach for understanding the hesitant return of visitors after the opening of the museums lies in the changed perception of the museum visit.The idea still prevailed that visitor contemplate before the works and enjoy the peace and quiet. In that context, it is often forgotten that the museum has become an im portant social place. You visit it with friends and acquaintances to experience something there. This is not yet the case. The obligation to wear masks and the limited number of visitors is a deterrent to many people.
Wolfgang Ullricht basically assumes that the exhibitions will change in the next few years. Large blockbuster exhibitions will no longer be economically viable with lower visitor numbers. Museums will therefore have to concentrate more on their collections again and use these to design attractive exhibitions for a local audience. Read More Read Less
tag Museen Besucherzahlen lokales Publikum Onlineangebote Blockbuster Visual Arts/Design Interview
Nach dem Stillstand die Besinnung?
After the standstill, the recollection?
by Till Briegleb (07 Jul 2020)
Original source: Süddeutsche Zeitung
The corona-related closures mean millions in lost revenue for the major German museums in Dresden, Berlin, Hamburg, Munich or Cologne. Even the rapid reopening of the museums can do little to change this. If in one week there are as many visitors as before the lockdown on one day, the museums are already happy. People are still afraid of exhibition spaces with great appeal. Above all, the number of city travellers is still very low. However, the museum management does not appear to be alarmed so far. This is partly due to the fact that they currently have the feeling tha t they are supported by the state. In contrast to the wave of layoffs in America, at least the permanent employees can rely on government support. However, financing is not a very popular discussion topic at the moment. Instead, the realignment of the houses is being discussed. Many will make a virtue out of necessity and concentrate again more on content than on big names.
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tag Museen Finanzen Marion Ackermann Hartz IV Neuausrichtung Sammlung Visual Arts/Design Bericht
Contra: Kunst hat eine schlechte Klimabilanz . Pro und Contra Kulturreisen
Contra: Art has a poor carbon footprint . The pros and cons of cultural travel
by Catrin Lorch (05 Jul 2020)
Original source: Süddeutsche Zeitung
With the new requirements for visiting exhibitions, mega-exhibitions are a thing of the past. Visitor numbers are becoming incalculable, and even the municipalities themselves will probably be short of money in the near future. With a reduced number of visitors, horrendous costs for loaning and for the exhibition concept can no longer be paid. It is not only the climate balance and economic efficiency, but also common sense that calls for a return to the local audience.
tag Bildende Kunst Kulturtourismus Klimabilanz lokales Publikum Performing Arts/ Cinema Diskussion
»Die Blockbuster haben ausgedient« . Museen nach dem Shutdown
»The blockbusters had their day« . Museums after shutdown
by Hans D. Christ, Iris Dressler (23 May 2020)
Original source: Welt
In a conversation with WELT newspaper, the heads of the Württembergischer Kunstverein in Stuttgart Iris Dressler and Hans D. Christ make an argument to take advantage of the lockdown for a deeper reflection on the art world. Their text is not only a plea for a reasonable payment for the artists, but at the same time an invitation to the art institutions not to focus on a mass audience in the future, but rather to understand the houses as spaces of ideas and discourse, in which sociopolitical issues are negotiated.
tag Museen Blockbuster Honorar Visual Arts/Design Interview
. #KulturTrotztCorona
General strike against starving culture . #CultureDefyingCorona
by Peter Weibel (28 Apr 2020)
Original source: Kulturnews
The magazine Kulturnews calls on its homepage under the hashtag #KulturTrotztCorona protagonists from different cultural sectors to show the "resistance of the cultural scene under the most adverse circumstances" and at the same time to document the effects of the crisis. The kick-off for this series is made with a statement by the Austrian media artist, curator and media theorist Prof. Peter Weibel, head of the Center for Art and Media (ZKM) in Karlsruhe. Peter Weibel begins his contribution with a fundamental discussion about the role of culture in society.p>
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