The situation in the cultural sector has been described and discussed in numerous interviews, corona diaries, comments and reports in the past few weeks. Our annotated collection of currently 193 sources gathers voices from different sectors and media. This creates a picture of the cultural landscape in crisis, whose temporal transformation can be explored interactively via a dedicated tag cloud.
For a freelance concert organiser who does not have his own venue, the emergency aid and bridging funds were not available during the lockdown. On the one hand, he has few fixed costs, on the other hand, he also had income from subscriptions during the lockdown, which he was, however, not allowed to use to finance the new season until the autumn.
In the current situation, he demands above all that smaller events be allowed to take place again and that the industry show more solidarity. If large spaces were opened up for smaller organisers, this would not only help them and the musicians, but would also send an important signal to the »culture industry«: As in agriculture or retail, it should be about promoting smaller initiatives so that in the end it is not only the big chains that survive.
Goerne shows particularly little understanding for the fact that distance rules do not apply in public transport, but that in concert halls large distances between visitor seats are required. The festival season and above all the Salzburg Festival, which was realized successfully and without infections, has demonstrated that the audience of concert events is highly disciplined and that seating arrangements in a checkerboard pattern can be implemented without danger. Being happy to attend concerts again, the visitors abtstain from conversations in the hall. In addition, many concert halls have excellent ventilation systems that minimize the risk of infection. Goerne cannot understand why the economic power of the industry is not taken into account here giving it a chance to generate income again. Instead, politicians are accepting the death of theater and opera on a large scale.Read More Read Less
Facing arts is a non-profi project. Feel free to support it and get in touch with us!
Facing arts is a projet by STORM.
STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth,
who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist
in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer.
He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and
light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de and www.imachination.net.
Special thanks to Paco Croket for the tag cloud programming!
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