Quo vadis ars?
The situation in the cultural sector has been
described and discussed in numerous interviews, corona diaries,
comments and reports in the past few weeks. Our annotated
collection
of currently 193 sources
gathers voices from different sectors and media.
This creates a picture of the cultural landscape in crisis,
whose temporal transformation can be explored interactively
via a dedicated
tag cloud.
Frankfurter Buchmesse: Was ist das Buch ohne die Menschen?
Frankfurt Book Fair: What would books be without people?
by Felix Stephan (17 Oct 2020)
Original source: Süddeutsche Zeitung
How do you measure the social value of a book? How do you recognize the importance of the Frankfurt Book Fair? Felix Stephan examines these questions based on the debates triggered by the recent Book Fair. Based on Saša Stanišić critique of the awarding of the Nobel Prize to Peter Handke formulated in occasion of his acceptance speech at the awarding ceremony of the German Book Prize, Stephan shows how debates evolve. Suddenly it was no longer about the text itself, but about the foreign secretary Hans-Dietrich Genscher and the role of the Germans in the K osovo war. Such debates are important because they determine the social climate and encourage critical thinking. The starting point is the written text, but it needs the public forum of the Book Fair to unfold its potential.
Such debates cannot arise in the medial silence of the digital book fair. Nevertheless: the book as a commodity is attractive. Even though the Fair is largely taking place online this year, the publishers are not doing badly. The pandemic tempts people to read. In the area of children's and youth literature, sales figures have even risen by 13 percent compared to the same period last year. The large publishing houses are already starting to think about whether a physical stand at the Book Fair is still worthwhile. Expenditure is high, but it is difficult to quantify the successes. The licensing business does not need the fair. So why not decouple the book industry from the public? The example of America shows how profits fizzle out in a vacuum when the book is seen only as a commodity and even mega-bestsellers like Michel Obama's autobiography no longer trigger discussion. According to Felix Stephan, not only would the book lose its role as a leading medium, but our public sphere would lose an important forum for its culture of debate. Read More Read Less
Such debates cannot arise in the medial silence of the digital book fair. Nevertheless: the book as a commodity is attractive. Even though the Fair is largely taking place online this year, the publishers are not doing badly. The pandemic tempts people to read. In the area of children's and youth literature, sales figures have even risen by 13 percent compared to the same period last year. The large publishing houses are already starting to think about whether a physical stand at the Book Fair is still worthwhile. Expenditure is high, but it is difficult to quantify the successes. The licensing business does not need the fair. So why not decouple the book industry from the public? The example of America shows how profits fizzle out in a vacuum when the book is seen only as a commodity and even mega-bestsellers like Michel Obama's autobiography no longer trigger discussion. According to Felix Stephan, not only would the book lose its role as a leading medium, but our public sphere would lose an important forum for its culture of debate. Read More Read Less
tag Buchbranche Buchmesse Leitmedium Debattenkultur Einsparpotential digitale Stille Literature/ Text Bericht
Geld allein reicht nicht . Coronafolgen im ärmsten Bundesland
Money alone is not enough . Corona effects in the poorest federal state
by Felicitas Boeselager (02 Oct 2020)
Original source: Deutschlandfunk
An independent theater group, two art students and a small club were interviewed by Felicitas Boeselager for her feature about the independent scene during the Corona crisis in Bremen. What all actors are sharing is the joy of being able to offer events again. The audience at all events was also enthusiastic and grateful to finally be able to experience culture again. The independent scene in Bremen is closely connected by the pandemic, mutual support and exchange about new formats is highly appreciated by those affected. Nevertheless, all of the actors are currently una ble to make ends meet without public funding for culture.
Stephan Behrmann, freelance actor and dramaturge as well as spokesman for the »Alliance of Liberal Arts«, emphasizes that cultural funding in Bremen has been good for both the solo self-employed and the independent scene. However, he complains that the aid did not work so well in all federal states. He considers current scholarship programs that finance the artists' work on projects in an open-ended way to be good. He also rates the support provided by the "Neustart Kultur" program positively - even if one billion does not really seem sufficient considering the size of the industry. Whether the money actually helps the individual artists cannot be predicted at the moment - especially since the administrative effort involved in awarding grants is quite high. How many »silent deaths«, i.e. artists who have looked for a job in another branch, are to be registered, is currently not yet foreseeable. The situation will not improve in the next few years either. Since the municipalities are very much shaken, they cannot afford to support culture. Behrmann therefore considers it an inevitable consequence that the federal government will help out.
Read More Read Lesstag Bremen Kultursommer Bremen Freie Szene Clubszene Kulturförderung Neustart Kultur stiller Tod Insolvenz All sections Feature und Interview
»Vielen von uns droht die Supermarktkasse«
»Many of us are at risk to sit at the supermarket checkout«
by Heinz Rudolf Kunze (17 Sep 2020)
Original source: NDR Info
In an interview with the NDR, the German singer and songwriter Heinz Rudolf Kunze talks about his experiences during the Corona pandemic and the situation of the music industry. All the central topics of the discussion are addressed in the interview. The picture he draws is depressing. In the music industry, too, live performance is the most important source of income today. CDs are primarily produced to promote concerts. Kunze openly calls streaming an exploitation, because the musicians cannot finance themselves from the cents they receive. Even successful accompanying musicians can only survive the Corona crisis by working in other industries. Although open-air concerts could be held in the summer, the number of visitors was usually limited. In contrast to the adjacent gastronomy, the event industry has to fulfill strict hygiene requirements. Kunze doesn't mince his words when it comes to the regulations that vary from region to region. Here "little princes" are at work, who rule arbitrarily. In autumn and winter, no concerts are possible. His own tour has been postponed until spring; whether it can actually take place is written in the stars.
For the future Kunze hopes that the cultural industry will be recognized as an economic factor. At the same time, the cultural offer in Germany, which according to its perception is the largest in the world, must be maintained. This requires the prudent promotion by politics. Kunze equates the breaking away of this offer with the deforestation of the rainforest. Thus he chooses a very drastic picture for the danger in which he currently sees his industry. Read More Read Less
For the future Kunze hopes that the cultural industry will be recognized as an economic factor. At the same time, the cultural offer in Germany, which according to its perception is the largest in the world, must be maintained. This requires the prudent promotion by politics. Kunze equates the breaking away of this offer with the deforestation of the rainforest. Thus he chooses a very drastic picture for the danger in which he currently sees his industry. Read More Read Less
tag Popmusik Hygieneregeln Berufsverbot stiller Tod Streaming Konzerte Music Interview
„Wo ist die Empathie des Herrn Spahn?“ . "Where is the empathy of Mr. Spahn?"
by Matthias Goerne, Manuel Brug (13 Sep 2020)
Original source: Welt
In an interview with the newspaper Die Welt, the successful lied singer Matthias Goerne expresses his displeasure about the treatment of the concert world during the Corona crisis. He recently took part in a discussion round with the Minister of Health Jens Spahn. The disappointment about the minister's behavior is great: His answers were only evasive; culture as an economy is still not recognized. Although there are subsidies for institutions, the many solo self-employed still look anxiously to the future. The clubbing and stabbing among the concert organizers has a lready started, as the agencies are also struggling to survive. The situation is very difficult at the moment, especially for the young professionals. Many of them will not succeed in gaining a foothold in the market. On the other hand, there are colleagues who have slipped into basic welfare and are now looking for a new job. There is no common voice on the music market. Goerne is even disappointed by the agencies, as they do not argue with sufficient power. Those who work as freelancers are getting more and more immoral offers, because the public houses can save money reducing the number of guests. Yet it is precisely these guests who attract the public.
Goerne shows particularly little understanding for the fact that distance rules do not apply in public transport, but that in concert halls large distances between visitor seats are required. The festival season and above all the Salzburg Festival, which was realized successfully and without infections, has demonstrated that the audience of concert events is highly disciplined and that seating arrangements in a checkerboard pattern can be implemented without danger. Being happy to attend concerts again, the visitors abtstain from conversations in the hall. In addition, many concert halls have excellent ventilation systems that minimize the risk of infection. Goerne cannot understand why the economic power of the industry is not taken into account here giving it a chance to generate income again. Instead, politicians are accepting the death of theater and opera on a large scale.
Read More Read Lesstag Konzerte Konzerthäuser Konzertagenturen Solo-Selbständige Studierende stiller Tod Salzburger Festspiele Schachbrettmuster Jens Spahn Music Interview
»Was in Berlin passiert, ist ziemlich einmalig« . Corona-Hilfe für Klubkultur
»What's happening in Berlin is quite unique« . Corona aid for club culture
by Laura Aha (20 Jul 2020)
Original source: Spiegel
Clubs were the first cultural institutions to close, and they will most likely be the last to be allowed to reopen. In Berlin alone, 140 clubs and as many club event agencies employ around 9000 people. In Berlin, Senator for Culture Klaus Lederer has launched a 30 million euro aid package for clubs. Cologne and Hamburg have also granted support to the scene at a very early stage. The situation is different in cities that have not yet promoted pop culture. Here, clubs are falling through the ranks of the various support models and are fighting for recognition as cultural institutions. Currently, the open-air season is making it possible to compensate somewhat for the slump in sales. But the scene needs a long-term strategy to avoid falling victim to the crisis.
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tag Clubszene Berlin Soforthilfe Konjunkturpaket Klaus Lederer Music Bericht
Besucheransturm auf Museen nach Lockdown bleibt offenbar aus
Visitor rush on museums after lockdown apparently is missing
by Wolfgang Ullrich (14 Jul 2020)
Original source: Deutschlandfunk
The museums are open again, but the expected visitors are missing in many houses. In an interview with Deutschlandfunk radio, Wolfgang Ullrich explains why the offer is so hesitantly accepted and how the museums will change in the coming years.
An important approach for understanding the hesitant return of visitors after the opening of the museums lies in the changed perception of the museum visit.The idea still prevailed that visitor contemplate before the works and enjoy the peace and quiet. In that context, it is often forgotten that the museum has become an im portant social place. You visit it with friends and acquaintances to experience something there. This is not yet the case. The obligation to wear masks and the limited number of visitors is a deterrent to many people.
Wolfgang Ullricht basically assumes that the exhibitions will change in the next few years. Large blockbuster exhibitions will no longer be economically viable with lower visitor numbers. Museums will therefore have to concentrate more on their collections again and use these to design attractive exhibitions for a local audience. Read More Read Less
An important approach for understanding the hesitant return of visitors after the opening of the museums lies in the changed perception of the museum visit.The idea still prevailed that visitor contemplate before the works and enjoy the peace and quiet. In that context, it is often forgotten that the museum has become an im portant social place. You visit it with friends and acquaintances to experience something there. This is not yet the case. The obligation to wear masks and the limited number of visitors is a deterrent to many people.
Wolfgang Ullricht basically assumes that the exhibitions will change in the next few years. Large blockbuster exhibitions will no longer be economically viable with lower visitor numbers. Museums will therefore have to concentrate more on their collections again and use these to design attractive exhibitions for a local audience. Read More Read Less
tag Museen Besucherzahlen lokales Publikum Onlineangebote Blockbuster Visual Arts/Design Interview
Ein bisschen Event geht immer . Klassik & Corona
A little bit of event always works . Classical music & Corona
by Manuel Brug (20 Jun 2020)
Original source: Welt
The friends of classical music would currently be preparing for an exciting festival summer if Corona did not prevent pretty much everything that inspires the classical world. In his article, Manuel Brug gives an overview of the plans for the summer and the start of the season. While the start of the season has already been postponed to January at the major opera houses in the USA, the Paris Opera is struggling with a 40 million deficit. In Germany, the new season is being celebrated with smaller productions, only the Bavarian State Opera does not want to miss a per formance with Marina Abramovic.
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tag Klassische Musik Oper Konzerthäuser Spielplan Festivals USA Paris Streaming Marina Abramovic Music Bericht
War’s das mit dem Wumms? . Aktionsplan und Stellungnahme des Netzwerk Autorenrechte (NAR) zum Konjunkturpaket „NEUSTART KULTUR“
That's it with the oomph? . Action plan and statement of the Network of Authors' Rights (NAR) on the economic stimulus package "NEW START CULTURE"
by Netzwerk Autorenrechte (05 Jun 2020)
Original source: Netzwerk Autorenrechte
The economic stimulus package passed by the federal government provides hardly any subsidies for the book sector. The Network of Authors' Rights (NAR) is calling for improvements in this respect so that authors and translators are not pushed into social welfare (Hartz IV). Various funding possibilities are outlined and the importance of literature not only as a source of knowledge and education, but also as an economic factor is pointed out.
tag Buchbranche Konjunkturpaket Hartz IV Literature/ Text Statement
Kultur in der Corona-Krise . Erwacht endlich aus der Schockstarre!
Culture during Corona Crisis . Finally wake up from freeze mode!
by Marco Frei, Christian Wildhagen (01 May 2020)
Original source: Neue Züricher Zeitung
Translation
